At 69, and with more than 90 movies on his CV, cinematographer Ed Lachman is on something of a roll this fall. He received recently the Lifetime Achievement Award from the American Society of Cinematographers, and will see his latest stunning collaboration with director Todd Haynes, Wonderstruck, released in theaters from Amazon Studios and Roadside Attractions. Shot on Super 35mm color and black-and-white stock, Wonderstruck follows Lachman’s ravishing work on Haynes’s Carol with another film in which the image carries a seductive charge and an analytic weight. An avid historian of visual history, Lachman dives deep into a story’s period […]
by Shevaun Mizrahi on Sep 14, 2017If cinematographer Edward Lachman was inclined towards chasing golden statuettes, he would shoot nothing but ’50s-era forbidden romances for Todd Haynes. Lachman’s initial film to match that descriptor – 2002’s Far from Heaven – earned his first Oscar nomination. This morning Lachman landed his second nod for his work on Carol, another ’50s-set romance, this time between an unhappily married New York housewife (Cate Blanchett) and a budding young photographer (Rooney Mara). Carol marks Lachman’s fourth film with Haynes, highlighting a five-decade career that includes collaborations with Robert Altman, Steven Soderbergh, Todd Solondz, Paul Schrader, Sofia Coppola, and a sizable […]
by Matt Mulcahey on Jan 14, 2016The last half of my 20s and the first half of my 30s were spent in Los Angeles working in mainstream television (That 70s Show) and film (Jesus People). I never made much money, but I did get to live out my dreams of visiting Kathy Griffin’s house, serving crumpets to my favorite comedic actress, Lisa Kudrow, and brushing my leg up against my favorite dramatic actress, Holly Hunter. In the mid-90s, I took for granted the fact that gay characters were becoming well represented on television. After all, my favorite TV shows were thirtysomething and My So-Called Life and […]
by Dan Steadman on Dec 22, 2012Over at FilmInFocus, screenwriter Howard Rodman picks up on the vino intelligence of Lisa Cholodenko’s The Kids are All Right to riff on wines that would go well with specific films. Here’s his recommendation for Far from Heaven: The elegance and depth of Far From Heaven deserves an expression of fruit, tannin, poignance, melancholy, and regret. A wine that satisfies on first sip, then opens up in the glass to reveal tastes and emotions far more profound. Giacomo Conterno’s Barolo Monfortino is such a wine. A bottle of the 1982 will take you to the precipice, then gently guide you […]
by Scott Macaulay on Jun 25, 2010