(You can read part one, two, and three.) The hackathon came to an exciting conclusion yesterday with presentations from all seven teams and a brief awards ceremony. I was too exhausted to write about it last night, an indication that the 34-hour event had been a success. Last weekend my wife ran in a 200-mile Ragnar relay race, and it occurred to me more than once that hackathons are the tech/transmedia equivalent. Hacking had begun just after 10 a.m. Saturday morning and continued nonstop until 3:30 p.m. Sunday. My own team’s final hours were fueled with adrenaline more than caffeine. […]
by Randy Astle on Apr 30, 2012(Read parts one and two.) I’m sitting deep inside the bowels of the Elinor Bunin Monroe Film Center on West 65th Street. The Story Hack got off to a friendly start around 10:00 this morning with an orientation by Aina Abiodun, Mike Knowlton, and Film Society of Lincoln Center Executive Director Rose Kuo. We made sure everyone was on the same page and were told our final wild card, the Emily Dickinson quote “Fortune befriends the bold,” which has to be included in every hack. Aina’s opening thoughts also laid down the gauntlet when she said that our work in these […]
by Randy Astle on Apr 28, 2012In just under eight hours, the first hackathon dedicated exclusively to narrative transmedia gets underway at Lincoln Center; here’s Part 1 about what it is and who’s sponsoring it. There are seven teams of four, so 28 participants total, and if the other groups are anything like my team U.S. Maple, they’re all already feeling tired and well worked. I’ve written sample bibles and transmedia proposals before, as evidence of my versatility as a writer and ability to work in transmedia, but I’ve never finished an actual project. So this Story Hack is my first chance to develop something cross-platform beyond […]
by Randy Astle on Apr 28, 2012Don’t be fooled: Paranoia, alienation, and irrepressible ghosts of the past are some of the common threads among the features in the 41st edition of New Directors/New Films. No one could mistake it for a series of frothy comedies or unchallenging genre fare: feel-good is hardly an operative term. What is unmistakable is that, to my mind, it remains the finest, most original film festival in New York. These mostly first and second films from around the world are edgy but accessible, fresh but polished. A combination of fiction, docs, and animation, they are not intended to soothe but rather […]
by Howard Feinstein on Mar 20, 2012Producer Ted Hope, who has been running a regular independent film screening series at Goldcrest for the last few years, is moving uptown — he’s the inaugural curator of the Film Society of Lincoln Center’s monthly Indie Night showcase. And for the series opening film, he’s picked a favorite of ours here at Filmmaker: Mark Jackson’s Without. On the basis of this first feature, Jackson was selected as one of our 2011 25 New Faces. In his write-up, Brandon Harris wrote: Comprised of shots that make you feel as if you’re glimpsing the most private of moments, a fly on […]
by Scott Macaulay on Mar 6, 2012Did you miss the Filmmaker Conference at Independent Film Week last month? Me too – I managed to catch a few panels, but I spent most of the week running around, working, and attending other IFW events (as evidenced by my photo blogs here, here, and here). Luckily, IFP will streaming the entire conference available to members. One new video will be added to ifp.org every weekday this month. Membership levels start at $35, which for roughly 30 hours of film industry education (and tons of other benefits) is not a bad deal. One video is already online – a […]
by Jane Schoenbrun on Oct 14, 2011The day started off with a nice boost to my ego: another filmmaker and fellow blogger had recognized the masterful wit in my first blog entry and approached me about it. He noted that he was normally the funny one, and would now step up his game. I am competitive by nature so this was music to my ears: bring it! Only now I have to be funny again, which may be easier said than done. We began the day with the standard fare – introductions with a filmmakers’ twist: we were tasked to name our craziest venture as a […]
by Lanre Olabisi on Oct 4, 2011The Film Society of Lincoln Center announced today that Alexander Payne‘s The Descendants (pictured) will be the closing night film for this year’s New York Film Festival. NYFF’s main slate was also unveiled and includes David Cronenberg‘s A Dangerous Method and Pedro Almodóvar‘s The Skin I Live In, which both will be screened as special gala presentations; Simon Curtis‘ My Week With Marilyn, which will have a centerpiece screening; and Roman Polanski‘s Carnage, which will open the fest. Read the complete lineup below. NYFF’s 49th edition will take place Sept. 30 – Oct. 16. General public tickets will become available […]
by Jason Guerrasio on Aug 17, 2011Filmmaker‘s Jamie Stuart has moved uptown where he’s documented the Film Society of Lincoln Center’s build of their new Elinor Bunin theaters. He’s made four new pieces, characteristically backlit, and in black-and-white, and they have premiered at Vanity Fair, which also runs an interview with him. Below is his sit-down with Executive Director Rose Kuo, and a video in which he geeks out on all the new gear. And here, from the interview, is his take on the filmmakers of the future: Traditionally, the director’s job is to oversee things, and make decisions while you have a cameraman who shoots […]
by Scott Macaulay on May 20, 2011In a release sent out today the Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup for the 40th edition of New Directors/New Films, which will take place March 23 – April 3. Highlighting 28 feature films (24 narrative, 4 documentaries) from 22 countries, ND/NF will open with J.C. Chandor‘s investment banker drama, Margin Call. His debut feature stars Kevin Spacey, Paul Bettany, Demi Moore, Stanley Tucci and Jeremy Irons. Closing the festival will be Maryam Keshavarz‘s Circumstance, which looks at today’s Iranian youth culture through the eyes of two teenage girls. The film […]
by Jason Guerrasio on Feb 16, 2011