Hearkening back to coming-of-age movies like Superbad, Manuel Crosby and Darren Knapp’s First Date feels comfortingly familiar as both a thriller and a comedy. After buying a questionable ’65 Chrysler, Mike’s (Tyson Brown) first date with Kelsey (Shelby Duclos) snowballs into an epic night of cop chases, criminals, and cat ladies. DP and co-director Manuel Crosby explains what it was like filming a late night thriller with an ’90s style on a budget. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Filmmaker Staff on Feb 1, 2021Hearkening back to coming-of-age movies like Superbad, Manuel Crosby and Darren Knapp’s First Date feels comfortingly familiar as both a thriller and a comedy. After buying a questionable ’65 Chrysler, Mike’s (Tyson Brown) first date with Kelsey (Shelby Duclos) snowballs into an epic night of cop chases, criminals, and cat ladies. Editor Zach Passero explains how they snipped a nearly three hour cut down while preserving the movie’s irrepressible personality. Filmmaker: How and why did you wind up being the editor of your film? Passero: I came onboard after Darren and Manuel had edited a 2 hour 45 minute cut. They were […]
by Filmmaker Staff on Feb 1, 2021How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? We dodged the COVID bullet during production, as we had shot everything before 2020. However, we were halfway through post when everything hit. The majority of our post team lives in Texas, but I live up in Northern California. I needed to get down there to oversee finishing, and flying in a metal tube recirculating airborne viruses for several hours wasn’t going to work. In order to keep things safe and comfortable for the team […]
by Filmmaker Staff on Jan 31, 2021