A pastiche of confessional interviews, recreations and decade-spanning raw footage, Darius Clark Monroe’s Evolution of a Criminal examines the director’s transition from a 16 year-old Texas honor student to incarcerated bank robber. Not so much a malicious jaunt as an impulsive act of financially strapped naiveté, Monroe revisits his victims, family members, teachers and friends as he tries to piece together the puzzle behind this life-altering moment. Below, Monroe speaks about why his film is not just for the convicted, his reasoning for recreations and how the camera elicits honesty. Evolution of a Criminal premieres tomorrow in the Visions section at SXSW. Filmmaker: While […]
by Sarah Salovaara on Mar 7, 2014Childhood friends Bernice (LisaGay Hamilton) and Fontayne (Yolanda Ross) have been out of touch for a few years. When they reconnect, during an early sequence in John Sayles’ 18th feature film Go For Sisters, it is over a desk. Bernice, a parole officer, sits before folders of rap sheets to one side; Fontayne, a former junkie and criminal, fidgets on the other. It doesn’t take long, however, for the circumstance to turn from professional to personal. When Bernice’s drug running son vanishes near the Mexican border, she calls on Fontayne to help track him down. The two women head South, […]
by Sarah Salovaara on Nov 8, 2013This article was orginally published in March 2013 to coincide with the film’s premiere at SXSW. Some Girl(s) opens theatrically today in NYC and LA, it’s also now available worldwide on Vimeo On Demand. In the battle of the sexes, there has been perhaps no more controversial warrior than the playwright, screenwriter and director Neil LaBute (In the Company of Men). Since the mid-90s, LaBute has made a name for himself by writing movies that are truly, madly, deeply cynical. Adapted by LaBute from his own stage play and directed by Party Girl helmer Daisy von Scherler Mayer, Some Girl(s) stars […]
by Mary Anderson Casavant on Jun 28, 2013When Swedish director Malik Bendjelloul first came across the story of ’70s singer/songwriter/cult-hero Rodriguez, it must have seemed too good to be true, especially for a music-focused documentarian. Sixto Rodriguez, the Detroit-based troubadour who blended street-savvy folk, rock, and socially conscious soul on two under-the-radar early-‘70s albums, was completely unknown in America (and almost everywhere else) for decades. But in a twist worthy of an O. Henry story, Rodriguez (who has always worked solely under his surname), somehow ended up an iconic figure in South Africa, where his reputation assumed Bob Dylan-esque dimensions. The catch: most South Africans have long […]
by Jim Allen on Jul 25, 2012