After shipping the Fall 2006 issue of Filmmaker, where I had been the managing editor for nearly four years, I moved to Los Angeles to start my career as a movie director, the only thing I had ever wanted to do with myself. I had just turned 30, and I was behind schedule. At the time, my expectations didn’t seem so delusional. To begin with, I had found the story I needed to tell, something in a voice that was uniquely my own, and I wasn’t alone in my enthusiasm. I had a top agency and management company behind me, […]
by Matt Ross on Dec 14, 2017Longtime Filmmaker readers will instantly recognize writer/director Matt Ross as our former Managing Editor, whose intelligent and probing interviews with directors like Robert Altman, Steven Soderbergh and George Clooney — to say nothing of his sit-down with critic Armond White — were staples in this publication in the early to mid-aughts. In 2006, Ross, who had made two short films and written a pair of scripts left the magazine to go make his debut feature, the darkly compelling Frank & Lola. A Vegas-set psychosexual love story, Frank & Lola stars Michael Shannon as an ambitious, tightly-wound star chef working in […]
by Scott Macaulay on Dec 12, 2016In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Frank & Lola is my first feature film. I’m not sure if this is necessarily a secret […]
by Soheil Rezayazdi on Jan 27, 2016