Considering cinematographer Paul Cameron is responsible for a portion of the seminal digital photography in Michael Mann’s Collateral, one might assume Cameron is a proselytizer of the digital revolution. Not so — Cameron remains an ardent devotee of celluloid, extolling its virtues as an “elegant, eloquent” medium. With the blessing of series co-creator Jonathan Nolan, Cameron sped film through the gate on the HBO pilot for Westworld. An extension of Michael Crichton’s taut 1973 sci-fi thriller about an Old West theme park where “guests” indulge their baser desires through interactions with robot “hosts,” this new Westworld digs its spurs into […]
by Matt Mulcahey on Oct 3, 2016“Lenses are extremely delicate and have to be handled carefully, just like they are alive,” a Fuji factory worker says in this video from the company that will walk you through the entire process of making XF series lenses. All the steps are briefly touched upon, from mold pressing to coating, lens barrel processing, surface finishing, assembling, measuring, engraving, and finally packaging and shipping. Process and gear junkies, this one’s for you.
by Vadim Rizov on Oct 29, 2014Originally posted April 2011. At back-to-back press conferences prior to the opening of NAB’s show floor, both Panasonic and Sony acknowledged the still-unfolding natural disaster in Japan and asked that our thoughts be with the Japanese people. Sony added that despite critical damage to its media plant in Sendai, supplies of HDCAM-SR tape would return to normal by June. Sony’s Sendai Technology Center (which I’ve visited) practically invented the high-performance tapes necessary to DV and HDV (metal evaporated) and HDCAM-SR (metal particle), and still manufactures a preponderance of them. Having persuaded both film and television industries to adopt HDCAM-SR as […]
by David Leitner on Nov 27, 2011Zacuto, which rents HD cameras and DSLR camera accessories, gathered professional DPs and colorists for a “DSRL Shootout.” They compared the Canon 7D, 5D Mark 2, ID, the Panasonic GH1 and Nikon D3s and compared them to footage shot on Kodak and Fuji stock. The results were evaluated by a range of DPs, including indie cinematographers and ASC members, at AFI and Skywalker Ranch. The results are pretty astonishing. The first episode, a 35-minute piece in which all of these camera’s latitude are examined, is up but it’s not embeddable. See it at the link above. The trailer, however, is […]
by Scott Macaulay on Mar 25, 2010