I made a microbudget movie called #LIKE. Amazingly it is wrapped, posted and on the festival circuit, and it has been receiving glowing reviews like this: “Writer/director Sarah Pirozek’s teenage noir #Like pulses with the energy of a ’70s thriller.” Discouraged by stats on Hollywood hiring and women directors — a 2015 DGA report reported that 84% of first-time scripted TV directors were white men — and inspired by the work of independent female filmmakers like Marielle Heller, Laurie Weltz and Anja Marquardt, I decided to stop waiting for permission to make my first feature. Instead of making a short-film calling […]
by Sarah Pirozek on Jul 16, 2020Deciding where to shoot a movie can be one of the most consequential decisions a filmmaker can make. There are numerous and obvious reasons, but when deciding how to allocate resources, location is one of the most pressing riddles to solve. “Put your money on the screen” is a mantra producers mutter in their sleep; the meaning, of course, is to prioritize expenses that will discernibly make the final film better, avoiding big spends that are invisible to the eye of the audience. Despite where a script takes place on the page, it’s no secret that artful filmmaking can often […]
by Kishori Rajan on Mar 14, 2019Producer Gabrielle Nadig was recently at the Sundance Creative Producing Summit with King Jack, a project written and directed by Felix Thompson about a 15-year-old boy looking after his younger cousin for the weekend who must also deal with the local bully. The following is what Nadig wrote about her experiences there. The Sundance Creative Producing Lab has changed my life. I realize this is a bold statement but I know that my five fellow producers chosen to participate in this year’s Lab would say the same. I have never been a part of a program that was so nurturing, generous, uplifting, […]
by Gabrielle Nadig on Aug 9, 2013