giallo
-
Five Questions for The Editor Writer/Directors Matthew Kennedy and Adam Brooks
With the recent Berberian Sound Studio and now The Editor, we’re in a bit of a giallo revival. Or, more accurately, the gory, gloriously art decorated Italian horror thrillers of the 1970s have inspired a new generation to pay homage in the form of their own meta-commentaries. Interestingly, Peter Strickland’s Berberian Sound Studio and this year’s Toronto-premiering The Editor both feature post-production crew as their protagonists. In Berberian Sound Studio, it was a foley artist; in The Editor, Matthew Kennedy and Adam Brooks’ horror comedy, our hero is a once-vaunted picture editor who, following an accident, now must wield his […]
by Scott Macaulay on Sep 11, 2014 -
LOCARNO CRITICS NOTEBOOK #1
The Locarno Film Festival has carved out a role for itself since Olivier Père took over three years ago, in which it offers the best of all festival worlds. Acting as perhaps the best cross-section of contemporary cinema—or something very close to it—available on the festival circuit, it has often been described as one of the true “cinephilic” fests. Additionally, in order to make this possible, Locarno still needs to be something of a hotspot, and the “glamor” that makes such a reputation possible is also a key component. However, Locarno manages to avoid being an industry-driven media frenzy like […]
by Adam Cook on Aug 6, 2012
