“Giving the movie its comic and poignant dimension is Brennan’s performance as Brennan.” In the wake of Albert Maysles’ death in March, I returned to this intriguing reference to “performance” in Vincent Canby’s 1969 review of Salesman, Albert and David Maysles’ landmark work of direct cinema. Canby was, of course, referring to Paul Brennan, affectionately known as “The Badger.” Brennan’s performance — if we can call it that — is indeed astonishing. A man of unremarkable looks, he holds the screen with an enthralling intensity. Of course, Brennan isn’t an actor but rather a “real person,” a documentary subject of […]
by Jesse Moss on Apr 28, 2015I woke up in a strange bed in Harlem on a cold and rainy Saturday morning. I was in the second floor guest bedroom of a beautiful old brownstone. The bookshelves were lined with revolutionary material from all cultures, resources for creating manned insurrections, overthrowing governments and surviving months in the wild with only a backpack. Stacks of old records littered the room, mostly ’70s funk, Afro-Cuban jazz and Fela. I grabbed my iPhone, which had slept by my head next to the pillow and considered tweeting or instagramming the moment but quickly dismissed the idea. I stumbled down a […]
by Adam Bhala Lough on Mar 9, 2015