Goldman Sachs
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Stray Links 9/1-9/5: Tarantino’s 35mm Prints, Dead Russians and Teddy Bear Detectives
The future of 35mm rep cinema, a personal history of cinephilia as mediated by changing archival access, how the garbage heap of “hot takes” colonizes the internet and more in this week’s round-up of assorted reading: • Quentin Tarantino has owned Los Angeles’ beloved New Beverly Cinema since 2007; now he plans to take over programming himself, drawing extensively upon his private collection of prints. Talking with the LA Weekly‘s Chuck Wilson, Tarantino repeatedly goes off on the crappiness of DCP, including this gem: I have all three Sergio Leone Clint Eastwood movies in I.B. Technicolor. Magnificent looking. I just […]
by Vadim Rizov on Sep 5, 2014 -
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS, 1/9/11
Here are some articles of interest I’ve sent to my Instapaper this week. At Script Shadow, Carson Reeves lists the 10 ways he knows he’s reading an amateur script. All of these are quotable, but here’s one: BORING ON-THE-NOSE DIALOGUE – This is probably the biggest clue that you’re dealing with an amateur. The dialogue is really straightforward and boring. Characters say exactly what they mean: “You make me so angry!’ Characters get way more specific than people in real life would: “I’m going to head over to get a cheeseburger at Portillo’s and then call my mom.” (instead of […]
by Scott Macaulay on Jan 9, 2011
