In Phyllida Lloyd’s Herself, single mother Sandra (Clare Dunne) struggles to support and accommodate her two daughters in Dublin after leaving her abusive husband. Realizing that the system in place is not designed to provide any meaningful support, Sandra reaches the conclusion that she is the only one who is able (and willing) to affect any real change in her own life. She decides to build a house—literally from the ground up—in order to ensure that she and her daughters have stability and security in the future. Editor Rebecca Lloyd shares insight into her roots as an editor, what it […]
by Filmmaker Staff on Jan 24, 2020Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? There’s an object on screen that is the beating heart of the film. It’s not there at all in the beginning and it grows inch by inch. It’s a house! A self-build. A metaphor for a woman’s rebuilding of her broken life. It was impossible to work out how to shoot […]
by Filmmaker Staff on Jan 24, 2020