In the middle-aged revenge fantasy movie, the protagonist’s onslaught of violence is a reluctant one. In your John Wicks or Takens, these are men forced back into action by a transgression so grievous it demands brutal retribution. They don’t want to, but they have to. As director Ilya Naishuller points out, Nobody is an inversion of that formula. When Bob Odenkirk’s retired assassin Hutch is jarred from suburban drudgery by a home break in, he loses only a few bucks, a kitty cat bracelet and some pride. Hardly a kidnapped daughter or a murdered puppy. Hutch doesn’t have to dust off […]