Independent Filmmaker Labs
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Gary Hustwit’s 10 Web Tips For Doc Filmmakers
I dropped in on the IFP Documentary Labs a couple of times, and one of the highlights for me was the “Web Tools for Documentary” workshop run by guest speaker Gary Hustwit, a filmmaker who used the web to great effect in the production and self-distribution of his “Design trilogy” of Helvetica, Objectified and Urbanized. Hustwit, who worked in publishing and distribution before he moved behind the camera, really knows this stuff inside out – and considers his engagement with the web an integral part of what he does now. “I think of all this stuff as filmmaking – […]
by Nick Dawson on May 29, 2012 -
IFP ANNOUNCES 2012 DOCUMENTARY LAB SLATE
This morning, the Independent Filmmaker Project (IFP) announced the 10 films selected to participate in its 2012 IFP Documentary Lab, which takes place all this week in New York City. The slate for this eighth edition of the doc labs is very geographically diverse, with participants hailing from Washington, Kentucky and Berlin in addition to the usual indie strongholds of Los Angeles and New York City. Each year, 20 indie films with budgets under $1 million — 10 documentary and 10 narrative — are selected for participation in the IFP post-production labs, which gives filmmakers strategic help and guidance regarding […]
by Nick Dawson on May 14, 2012 -
“AN OVERSIMPLICATION OF HER BEAUTY” | writer-director, Terence Nance
[PREMIERE SCREENING: Saturday, January 21 9:00 pm –Egyptian Theatre, Park City] I come from a studio art background and consider myself an artist who made a film. I make music, murals and performances as well, so I hesitate to call myself a filmmaker. That said, I’ve been thinking lately that outside of the “burden of branding,” it doesn’t really matter what I call myself; my work will name me at the end of the day, and I’m interested to hear what that name will be after a few years of making work. So I guess if I am indeed named […]
by Filmmaker Staff on Jan 21, 2012 -
THE “PARIAH” TEAM TALK
Just before its Sundance premiere, the team behind Pariah — writer/director Dee Rees, producer Nekisa Cooper, and actresses Adepero Oduye and Kim Wayans — sat down with Jamie Stuart and me to discuss their film’s path to the big screen. Check it out, and make sure to see the film itself, which opened yesterday in limited release from Focus Features. (Note: video contains one mild spoiler.) [jwplayer config=”FM Player” file=”https://filmmakermagazine.com/videos/PARIAH_FINAL_CUT.mov” image=”https://filmmakermagazine.com/news/wp-content/uploads/2011/12/Adepero-Oduye-Still.jpg”]
by Scott Macaulay on Dec 29, 2011 -
DEE REES ON HER DEBUT “PARIAH”
After winning the Breakthrough Director award at this year’s Gotham Independent Film Awards, Dee Rees sat down with us for a brief chat about her highly anticipated debut, Pariah. Which opens this week. If you’re an avid reader our site (or the magazine), you already know a bit about Rees. She was one of our 25 New Faces of Independent Film in 2008 and already this year you’ve seen her in our video pieces from Sundance and the NYC taxi cab spots we produced. But that’s not all. Later this week you’ll see another video with Rees from Sundance, which […]
by Jason Guerrasio on Dec 26, 2011 -
KICKSTARTER: KEITH MILLER’S “WELCOME TO PINE HILL”
On the heels of this week’s Slamdance lineup announcement, Welcome to Pine Hill, one of the films premiering in competition, has launched a new Kickstarter campaign. A verite, doc-narrative blend (and an alum of the 2011 IFP Narrative Labs), Pine Hill follows Shannon Harper, a former drug dealer who reexamines his past after receiving some life-altering news. Director Keith Miller has crafted an intimate, stirring, and emotionally authentic first feature; one that’s sure to have quite a life on the 2012 festival circuit. For now though, Miller and his team need your help. Per their Kickstarter page: Keith Miller and […]
by Jane Schoenbrun on Dec 21, 2011 -
IFP LABS: HOW TO MERCHANDISE EFFECTIVELY
A recurring topic all last week at IFP’s Marketing and Distribution Labs was how indie filmmakers can get the most out of their film’s release, both monetarily and in terms of marketing. Friday morning the conversation turned granular (but no less interesting) with lab leaders Jon Reiss, Amy Dotson, and Milton Tabbot discussing the pros and cons of various forms of merchandising. Stressed repeatedly – the key thing to remember is that each film requires a distinct merchandising campaign. Think about your film’s core audience, and what kinds of products they would most likely be interested in. Then plan accordingly. […]
by Jane Schoenbrun on Dec 12, 2011 -
IFP LABS: A BRIEF GUIDE TO PLANNING YOUR FESTIVAL PREMIERE
There was an elephant in the room during day one of IFP’s annual Marketing and Distribution Labs, and that elephant’s name was Sundance. The majority of the Lab’s 21 attending filmmakers submitted applications earlier this year, each one hoping and secretly sort of expecting an acceptance letter. What they all received instead was a courteous but crushing rejection. Today’s afternoon session started out as something of a venting session. As the lab leaders tried to reassure these first-time filmmakers that their careers were not over, that they had many options still on the table, the mood in the room only […]
by Jane Schoenbrun on Dec 9, 2011 -
IFP Labs: Ten Things Every Filmmaker Should Know About Distribution Deals
I’ll be blogging this week from the 2011 IFP Filmmaker Labs, which are in their third and final session at 92Y Tribeca. This year’s 21 participating documentary and narrative projects, are nearing completion of the grueling post-production process and are now turning their attention towards the marketplace. Things kicked off this morning with a sobering discussion about sales and rights, led by Jon Reiss, co-author of Selling Your Film Without Selling Your Soul (presented by PreScreen and Area 23, also written by The Film Collaborative and Sherri Candler). Alongside the other lab leaders, Reiss stressed that filmmakers should always use […]
by Jane Schoenbrun on Dec 7, 2011 -
“KINYARWANDA” OPENS, SCORES 4-STAR EBERT REVIEW
25 New Face filmmaker Alrick Brown’s Kinyarwanda, a project of the IFP Narrative Lab, opens today via the AFFRM and Visigoth Pictures, and I urge you all to see it. Brown has made an extraordinary and ambitious independent film that tackles one of the gravest subjects of the 20th century: the Rwandan genocide. He does so with an intimate, character-based approach, evoking details that add up to full, human picture of the conflict. Writes Roger Ebert, who gave the film four stars I thought I knew something about Rwanda, but I didn’t really know very much. I was moved by […]
by Scott Macaulay on Dec 2, 2011
