Porcupine Lake is the sixth feature from pUNK Films founder Ingrid Veninger. It’s also the first from the pUNK Films Femmes Labs, which started as a DIY idea of gathering six Canadian female filmmakers to work on their six screenplays for six months to reality — courtesy of Oscar-winner Melissa Leo, who happened to hear Veninger’s pitch for funding at the Whistler Film Festival and immediately sign on as sponsor. The film itself feels like a throwback to the early heady (not to mention pre-tech, as there’s not a smartphone-glued character in sight!) days of low-key/low-budget independent film. It’s a […]
by Lauren Wissot on Sep 12, 2017Ingrid Veninger’s latest film has to be the fastest movie ever made for TIFF. The Toronto filmmaker was on her way to unspool her 2010 feature, Modra, at film fests across Europe when she seized the opportunity to shoot an entirely new film. That meant 19 days of scripting, casting and rehearsals in Toronto in March this year, 13 days shooting in north England, Paris and Berlin, then wrapping with five weeks of post in T.O. to make the TIFF deadline. That also meant Veninger presenting Modra in one cinema and then becoming “Ruby White,” who was premiering a fictitious […]
by Allan Tong on Sep 18, 2011