Jacki Weaver’s “big break” story is unique because she was finally embraced by Hollywood at age 63, landing an Oscar nomination for her incredible performance in the Australian film Animal Kingdom, after being a staple in the Australian theater and film world for 30 years. She went on to great roles in such films as Widows, The Disaster Artist, and Magic in The Moonlight, plus the acclaimed new version of Uncle Vanya on the stage with Cate Blanchett, not to mention her second Oscar nomination for Silver Linings Playbook. And this year she stars opposite Diane Keaton in the cheer-elder […]
by Peter Rinaldi on Jun 25, 2019David O. Russell makes bipolar disorder, dance competitions and the NFL the stuff of romantic comedy in Silver Linings Playbook, a seriously funny feature with star turns by Bradley Cooper and Jennifer Lawrence. Miguel Arteta interviews writer/director Russell and executive producer/star Cooper.
by Miguel Arteta on Nov 1, 2012The early months of the year are typically something of a cinematic wasteland dominated by substandard horror movies and thrillers, films that act as a palate cleanser to rid us of the taste of all those worthy pictures that awards season has fed us. Park Chan-Wook’s first Hollywood film, Stoker, is set to drop on March 1 next year, just as the bad starts turning to better; it looks like both a gripping genre piece and visually stunning, and personally I can’t wait to see it. Interestingly, though this is an American film, only the screenwriter (former Prison Break star […]
by Nick Dawson on Sep 27, 2012Originally posted online on August 11, 2010. Animal Kingdom is nominated for Best Supporting Actress (Jacki Weaver). Like his stunning short films Netherland Dwarf and Crossbow, David Michod’s terrific and terrifying feature debut, the 2010 Sundance World Dramatic Competition winner Animal Kingdom, is a smoothly photographed, moodily scored tale of a trapped, dim and docile young man who suffers at the hands of a careless and, in this case, criminal family. As in his previous work, Michod relies on an insistent voiceover to provide biting interiority while the unrelentingly grim working-class Melbourne milieu is strikingly depicted in slow-motion shots and […]
by Brandon Harris on Feb 26, 2011