Of all the remarkable aspects of Twin Peaks: The Return, perhaps the strangest is not something that is present, but something that’s absent: the utter lack of any recognizable psychology. Characters simply aren’t motivated by the familiar psychological archetypes and cliches that underpin almost all narrative entertainment, especially series-based television. It’s not so much that the plot is inscrutable or resistant to interpretation, but that characters react to what’s happening around them in ways that look and feel familiar, but which betray little if anything of what’s going on in their heads. As opposed to shows like House of Cards […]
by Nicholas Rombes on Jul 10, 2017Here, for your Sunday reading pleasure, are a number of artices and videos I took note of this week. Novelist Helen DeWitt retreats to a family-owned cabin in the woods to make an important writing deadline. She winds up, as she describes in the London Review of Books, being stalked: One neighbour says if she saw him by the road at night she would run him down. Others tell me to get a gun and shoot on sight. Look at it this way: if there were a high risk of attack I wouldn’t be staying in a cottage in 11 […]
by Scott Macaulay on Aug 10, 2014