Jauja courts enigmatic status, but this much can be safely established: Danish officer Captain Dinesen (Viggo Mortensen) is with his daughter Ingeborg (Viilbjork Mallin Agger) in 19th-century Patagonia for unspecified military purposes. She’s a bit of a mystic, announcing “I love the desert. I love how it fills me.” “I beg your pardon?” sputters nonplussed, over-protective dad, put off both by her love of inhospitable terrain and sexual language. Ingeborg promptly runs off with a young officer and Dinesen follows, his would-be rescue made more dangerous by repeatedly coming close to Zuluaga — once a Danish officer, now something like a Red […]
by Vadim Rizov on Mar 20, 2015“I don’t think humans communicate well.” —Lisandro Alonso I agree with the Argentine director. In our present age — when everyone has to be “connected” all the time, doing more than one thing — the chatter, the noise, can be maddening. Encountering the work of Lisandro Alonso makes me recall the feeling of lying on the floor and listening to a record as a teenager: not texting or talking or answering emails, simply listening. Alonso’s films let the viewer pay attention and dream simultaneously. Spare in dialogue, attentive to landscapes, meditative in pacing, they allow one to get lost in […]
by Alix Lambert on Jan 21, 2015In October, timed to the New York Film Festival U.S. premiere of his film, Jauja, Lisandro Alonso was the second director in residence at the Film Society of Lincoln Center. The Film Society invited Filmmaker to report on Alonso’s various events — lectures, Q&As and sessions with students in both New York and Boston — and we asked filmmaker and contributor Alix Lambert. Jauja is produced by and stars Viggo Mortenson, who shares a tie with Lambert. He and David Cronenberg watched her The Mark of Cain film while researching Russian tattoos for Eastern Promises, and Mortensen’s Perceval Press published […]
by Scott Macaulay on Nov 6, 2014