On October 1, The Social Network turns ten. The RED Mysterium X sensor (also turning ten) that rendered the film is now outmoded, but The Social Network thrives due to, not in spite of, the marks of its time. The limited latitude of the once cutting-edge camera sensor pushed David Fincher and DP Jeff Cronenweth—who also shot Fincher’s Fight Club, The Girl with The Dragon Tattoo and Gone Girl—into the darker bends of The Social Network’s imitation Harvard dorms. The camera struggled with highlights, so they avoided hot windows and sunny exteriors. It also strained to digest warm tones, so they chose […]
by A.E. Hunt on May 4, 2020With Josh Maczinski’s tribute to Jeff Cronenweth popping up around the interwebs, here’s a good time to post, alongside it, Jamie Stuart’s 2014 interview with the cinematographer. Maczinski’s supercut surveys favorite scenes from films like Gone Girl, The Social Network, Hitchcock and One-Hour Photo. Stuart’s interview gets deep into it regarding digital technology, lens choices and a lot more. Here is Cronenweth on Fincher’s use of digital tools: But it’s part of David’s tenacity in making sure that every image supports the story and nothing ever unsettles an audience member unintentionally. In other words, you see everything you’re supposed to […]
by Scott Macaulay on Mar 29, 2016Gone Girl marks d.p. Jeff Cronenweth’s fourth feature film collaboration with David Fincher, a stretch that began with Fight Club in 1999 and has continued through The Social Network and The Girl with the Dragon Tattoo. (He also worked 2nd and 3rd unit on Se7en and The Game.) It’s a partnership that has transitioned the pair to digital cinematography, with Cronenweth creating cool, precisely visualized environments for stories plumbing the complexities of life in our globalized, media-saturated information age. To speak with Cronenweth, we asked Jamie Stuart, whose short films have frequently appeared on this site, and who has interviewed […]
by Jamie Stuart on Oct 27, 2014