As a continuation of Filmmaker‘s coverage on upcoming courses at the MINY Media Center by IFP, Starlight Runner CEO Jeff Gomez opted to share a few of his thoughts on why transmedia is no mere trend. “At the turn of the century,” notes Gomez, “our entire communications system went into hyperdrive, and has only been picking up speed. At the same time, our three network, three newspaper, three neighborhood movie theater world has been blown to a million pieces.” How one capitalizes on the wealth of new media is exactly what Gomez aims to instruct in his masterclass, “Creating Blockbuster […]
by Sarah Salovaara on Dec 2, 2013The new Made in NY Media Center by IFP has announced a round of classes and presentations for December and is offering Filmmaker subscribers a discount for the two involving transmedia. On December 7, one of today’s great cinematographers, Declan Quinn, will present a five-hour master class in the shooting of Mike Figgis’s Leaving Las Vegas. “In this Master Class, Quinn will deconstruct Leaving Las Vegas, scene-by- scene, while discussing his process, choices, obstacles, challenges – what worked and what didn’t,” reads the promo copy. Presented in partnership with Local 600, the day begins at 10:00 AM with a screening […]
by Scott Macaulay on Nov 29, 2013Okay, I guess it’s official now. As Deadline Hollywood is reporting, the Producer’s Guild of America has officially created a new category for the “transmedia producer.” From Nikki Finke’s piece: I’ve learned that a significant All-Boards meeting for the Producers Guild of America took place tonight. Sources tell me that the members voted on a series of amendments that qualify individuals as professional producers. More importantly, for the first time in the guild’s history, they voted on and ratified a new credit — that of the Transmedia Producer — which had been shepherded by such Hollywood names as Mark Gordon, […]
by Scott Macaulay on Apr 6, 2010