Jem Cohen

EVAN LOUISON’S SEMINAL INDIES

This week on the blog I wrote a post asking what independent films made young audiences fans of independent film. Below are responses from writer, actor, director and musician Evan Louison. Buffalo ’66. I was 15. Particularly for the quiet, for the musical numbers, and for the paleness and stillness of the winter depicted. Particularly for the dinner table scene. I felt like I understood, or better like someone else did. I was in private school, and wrote a paper on it that got me called in after class. I don’t know what happened. They had a thing with strange […]
by Scott Macaulay on Jul 9, 2010
U.S. DIRECTORS CALL FOR JAFAR PANAHI’S RELEASE

A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]
by Scott Macaulay on May 1, 2010
WHAT SHOULD A NEW DOC FESTIVAL LOOK LIKE?

That was the question asked a group of about 40 filmmakers and members of the filmmaking community at an IFC Center Friday breakfast by Thom Powers (artistic director), John Vanco (managing director) and Raphaela Neihausen (executive director) about their new event, DOC NYC. Powers, Vanco and Neihausen are teaming to present the inaugural edition of this new Gotham doc fest this November, and their first step has been to reach out to the community for opinions on what’s needed to distinguish their festival. From their initial release: “DOC NYC will fill an important void in New York City and will […]
by Scott Macaulay on Apr 17, 2010
AUDIENCE WANTED — APPLY WITHIN

Over at his blog,, Anthony Kaufman cuts loose on what he calls the “woefully underpublicized” Indiewire/Emerging Pictures Undiscovered Gems series, which I blogged about a few posts below. The series opens tonight with a 9:30 screening (repeated tomorrow) of Jem Cohen’s debut fiction feature, Chain. He writes: I wouldn’t have even known of the showing myself had I not received an email directly from the director. Emerging Pictures’ web address http://www.emergingpictures.com/undiscovered_gems.htm doesn’t even work; indieWIRE has no mention of the showing on its website, and the Sundance Channel, another sponsor, gives it no props. Maybe it’s just the crowded New […]
by Scott Macaulay on Apr 25, 2006
INDIEWIRE, THE NEW YORK TIMES AND EMERGING PICTURES TEAM UP

From a just received press release: The New York Times and Emerging Pictures, the New York-based digital cinema network, will for the first time present “indieWIRE: Undiscovered Gems” as an eight-month-long film series. Based on indieWIRE’s annual list of the top 15 films from major festivals around the world that have yet to find a theatrical distributor, the series is being presented in association with the California Film Institute. The series kicks off in late April with Jem Cohen’s acclaimed feature Chain. With support from Sundance Channel, an audience prize competition will provide the winning filmmaker a cash award of […]
by Scott Macaulay on Apr 19, 2006
CHAIN REACTION

I ran into producer Mary Jane Skalski at the Salt Lake City airport this morning on the way into Park City, and she — along with an e-mail from director Jem Cohen — gave me material for an embarassing first post out of Sundance. In our new issue of Filmmaker, Anthony Kaufman writes in his “New York Scene” column about directors who choose, for whatever reason, not to make the festival and premiere their films in other venues. He writes about Michael Kang, whose Motel was unable to be finished in time, and also Jem Cohen, who is currently completing […]
by Scott Macaulay on Jan 16, 2004

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