jesse peretz
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Strangers On This Road We Are On: Mia Lidofsky On Her Facebook Watch Series
Mia Lidofsky is the creator and executive producer of Strangers, a strikingly profound seven-episode series now in its first season on an intriguing new platform, Facebook Watch. Lidofsky is a former assistant to her series executive producer Jesse Peretz (director of The Chateau and My Idiot Brother and a producer on Girls), and an associate producer of People Places Things and Tig. In 2015, Lidofsky was selected for the AFI Conservatory Directing Workshop for Women, where she created the series pilot. The director and co-director of several episodes of the first season (along with partner/filmmaker Celia Rowlson-Hall, a 25 New […]
by Sean Malin on Oct 2, 2017 -
Les Cowboys Writer/Director Thomas Bidegain on Contemporary Westerns, His Journey to Directing, and the Importance of the “B-Book”
In theaters now from Cohen Media, Les Cowboys is the directorial debut of acclaimed French screenwriter Thomas Bidegain, best known in recent years for his collaborations with French director Jacques Audiard. (He has co-scripted all of Audiard’s films following The Beat My Heart Skipped.) In an age when the value of the cinematic medium is being challenged, Bidegain has made a haunting and bold first feature that is both intimate as well as epic in scope. It’s a film steeped in the history of cinema, drawing both visual and narrative inspiration from classic American westerns. At the same time, Les […]
by Scott Macaulay on Jul 5, 2016 -
PAUL RUDD ON MARKETING “OUR IDIOT BROTHER”
Funny or Die has made a very funny video with Paul Rudd pitching Harvey Weinstein marketing ideas for Jesse Peretz’s upcoming Our Idiot Brother. Check it out below. Paul Rudd Pitches Harvey Weinstein from Paul Rudd
by Scott Macaulay on Aug 10, 2011 -
PARK CITY CRITIC’S NOTEBOOK #2: BEATS, RHYMES, ODDBALLS
After its first weekend has drawn to a close, the 2011 Sundance Film Festival has seen a flurry of buying activity from movies both expected to sell for significant amounts (Jesse Peretz’s My Idiot Brother, which went to the Weinstein Company for $7 million) and movies no one expected to go for as much as they did (Drake Doremus‘ Like Crazy, which without a significant movie star in it went for $4 million to Paramount). While I haven’t seen either film, they both seem to have both their admirers and detractors. In a U.S. Dramatic Competition heavy on formally ambitious […]
by Brandon Harris on Jan 25, 2011
