Joan Micklin Silver’s Crossing Delancey, her studio romantic comedy about a thirtysomething trying to escape her Lower East Side roots, is the epitome of the New York Woman series the Quad has been running all month. After a difficult experience at United Artists with her 1979 masterpiece Chilly Scenes of Winter, Silver took on her biggest production yet, an adaptation of Susan Sandler’s stage play, Crossing Delancey. The Nebraska native returned to examining Jewish identity in New York, as she did in her first film Hester Street, but instead of immigrants at the turn of the century, her focus was […]
by Graham Carter on Jul 17, 2018Sydney Pollack’s The Yakuza (1975) is an idiosyncratic but fascinating blend of incongruous tones made all the stranger by the difference in sensibilities among the men behind the camera. The film started as a script by brothers Paul and Leonard Schrader, who sold it for a boatload of cash thanks to the high-concept premise: an ex-soldier from the U.S. travels to Japan and infiltrates the underworld in a mash-up of the American action flick and the Asian martial arts film. Once Pollack came on board to direct the movie became something less commercial but, in its way, more compelling; uncomfortable […]
by Jim Hemphill on Mar 3, 2017Released in 1975, Joan Micklin Silver’s feature debut Hester Street is the story of immigrant Jews assimilating with various degrees of success to turn-of-the-century New York City. She followed with two contemporary works: 1977’s Boston alt-paper story Between the Lines and 1979’s Chilly Scenes of Winter. The latter is set to screen tomorrow at NYC’s IFC Center as part of the “Celluloid Dreams” series, whose premise would not have made sense in the very recent pre-DCP past: it aims to show repertory cinema on 35mm. Chilly Scenes is based on Ann Beattie’s first novel, which primarily concerns itself with Charles (John Heard) and his deathless, […]
by Vadim Rizov on Nov 11, 2014