Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? There were many unforeseen obstacles in the making of Going To Mars, too many to recount. However, the most pressing and disturbing obstacle we encountered was the need for more available and affordable editors. We responded with a very effective strategy that may change our work in the future. We collaborated with multiple editors (in Canada and the USA) who possess […]
by Filmmaker Staff on Jan 20, 2023In the increasingly tony Fort Greene neighborhood just east of downtown Brooklyn, filmmakers Michele Stephenson and Joe Brewster raised a son named Idris. Very early on in his youth, just as their son was about to become one of the few young black males to enroll in The Dalton School, a vaunted Upper East Side prep school that either trains young masters of the universe in the ways of maintaining their hegemony or educates a diverse set of the city’s best students in a humane and liberal environment (all depends on your outlook), the couple decided to make a documentary. […]
by Brandon Harris on Oct 18, 2013The opening day of this year’s Full Frame Documentary Film Festival has once again provided attendees with an eclectic offering of choices, including a number of timely films that touch on important political issues and a curated series organized by Amir Bar-Lev, Stories About Stories, that focuses on documentaries who engage with the question of narrative itself, as well as a tribute to the innovative documentary storyteller, Jessica Yu. But this variety of choices speaks to the vibrant work being done by documentary filmmakers and the programmers who organized this year’s festival, not to mention the vital questions that documentary […]
by Chuck Tryon on Apr 6, 2013[PREMIERE SCREENING: Monday, Jan. 21, 6:00pm — Temple Theatre, Park City] The art of filmmaking took a strange twist when we turned the camera on ourselves as well as on our loved ones. We found ourselves constantly questioning our observational and self-reflexive approach to the craft, particularly when it conflicted with our parenting ideals. As parents, we were concerned about our son’s socio-emotional development and, therefore, our impulse was to turn off the camera early and often. Yet, more often than not, the decision to turn off the camera clearly hampered the quality and emotional depth contained in the first […]
by Filmmaker Staff on Jan 20, 2013