Writer-director John Hughes had just begun to make a name for himself with three films he made for Universal (Sixteen Candles, The Breakfast Club and Weird Science) when Ned Tanen lured him over to Paramount with an overall deal designed to turn the filmmaker into a mogul. In less than three years, Hughes wrote, produced, and/or directed five movies for the studio (Pretty in Pink, Ferris Bueller’s Day Off, Some Kind of Wonderful, Planes Trains and Automobiles and She’s Having a Baby), all of which have now been reissued on Paramount’s “John Hughes 5-Movie Collection” Blu-ray with a generous supply of extra […]
by Jim Hemphill on Feb 18, 2021The best films of writer-director Paul Mazursky feel like small miracles, movies that are carefully crafted yet give the impression of life caught on the fly; they have the enthusiasm and audacity of Mazursky’s idol Fellini, but their subjects are almost entirely, gloriously American and their harsh truths are presented in a warm comic voice that is as accessible to mainstream audiences as it is sophisticated. His 1978 dramedy An Unmarried Woman is a case in point, a picture that was a box office smash (after being turned down by financiers all over Hollywood) yet still manages to deliver the […]
by Jim Hemphill on Jun 12, 2020The sound of Casio keyboards float out of a Gap on Broadway and I’m transported. It’s 2013. I’ll be 35-years-old soon. But for a moment I’m back in 1986. I don’t know who the singer is. It’s a boy who sounds like a girl, could be anyone in the ’80s. But it could only be from the ’80s. The strange canned ignorance of it. The willful naiveté. As if the whole world got together and said — let’s be POP. And any emotion, any art, any death, any clarity — we’ll process through that pop. The ’80s. The one decade […]
by Noah Buschel on Jun 13, 2013