Founded in 1972, DCTV (Downtown Community Television Center) has the distinction of being one of the rare permanent cinema landmarks in NYC. Housed in a striking firehouse on Lafayette Street in Chinatown, the non-profit media center has long been the one of the most prominent documentary production and film education centers in the country. After a storied legacy of hosting various educational programs, folding-chair screenings, master classes, panel discussions and Chinatown-specific community events, on its 50th anniversary the building will now finally house its own specialized cinema. “We don’t make films for ourselves, we make films for people to see […]
by Natalia Keogan on Sep 22, 2022For 36 years documentarian Jon Alpert followed three friends—Rob Steffey, Freddie Rodriguez, and Deliris Vasquez—through a Newark underground of drugs and poverty. We see them getting into trouble with the law, undergoing prison and rehab and reintegrating into society. Alpert, a recipient of DOC NYC’s Lifetime Achievement Award, gained remarkable access to a closed-off world. Filming under a variety of conditions and on several formats, he gives a first-person account of our failed war on drugs. It is an unbearably sad look at lives falling apart. Alpert also captures moments of success, of uplift, of reconciliation and forgiveness. The film […]
by Daniel Eagan on Dec 21, 2021Mads Brügger’s feature directorial debut, The Red Chapel, took a Tom Green-via-Sacha Baron-Cohen approach to infiltrating North Korea, with the director finagling himself and two comics — both adopted from North Korea, one with spastic paralysis — into the country. Given that it’s not hard to make an actual absurd environment appear absurd on screen, he emerged with fairly pointless cringe comedy: plenty of awkwardness all round but no real surprises. So it’s interesting to hear Brügger admit at the start of The Mole (initially a three-part series, shown at DOC NYC in its presumably final two-episode form) that The Red Chapel, while an […]
by Vadim Rizov on Nov 19, 2021“Today we’re celebrating the start of a new era,” DCTV’s co-founder and co-executive director Jon Alpert announced to a crowd of several hundred filmmakers, documentary enthusiasts and journalists. In the background stood DCTV’s home since 1979, a striking structure in French Chateau style with steeply pitched hip roof and prominent corner spiral, which contrasted sharply with the surrounding towers of American boxes. This juxtaposition contributed a bit of the surreal to the ceremony. But only a bit. This was not the 16th century, and certainly not the tranquil Loire Valley in France. The honking horns and growling trucks, darting taxis, the […]
by Stewart Nusbaumer on May 8, 2013