Jon Vogl on Budgeting for Post Production Sound, Transitioning From Film to Digital Dubbers, and Con Air‘s Place in Sound History
On a shady street in New Orleans’ Lower Garden District you’ll find Second Line Stages’ annex building, where Apex Post Production is located. Depending on the day you arrive, you might witness an ADR session for Antoine Fuqua’s The Magnificent Seven or Ava DuVernay’s new TV show Queen Sugar. The man running the ADR session is Jon Vogl, a Los Angeles transplant and studio veteran who moved to New Orleans to take advantage of increased film and TV production in the state. In this sit-down we discuss the technological changes that he’s witnessed in his twenty-plus years working in post-sound […]
by Sergio Andrés Lobo-Navia on Jan 9, 2017