Filmmaker: Why this movie? Why did you decide to do it? Fairfax Wright: I guess the most apparent reason behind me producing Imperial Dreams was that the director Malik Vitthal is one of my closest friends and I was eager to help bring his vision through to fruition. When we first met a few years back at LAFF, he mentioned that he was working on a script set in the Imperial Courts housing project in Watts. It piqued my interest because it’s the same housing project that I had spent quite a bit of time at during elementary school. My […]
by Danielle Lurie on Jan 20, 2014In 2009, a bill was proposed in the Ugandan parliament that would outlaw homosexuality, making the offense punishable by death. In response, the newspaper The Rolling Stone began outing members of the LGBT community with the headline “Hang Them.” The LGBT activist David Kato, the first openly gay man in the rapidly anti-gay nation of Uganda, took the publication to court to prevent them from further printing the names and pictures of gay people — and won. Katherine Fairfax Wright and Malika Zouhali-Worral’s remarkable documentary Call Me Kuchu chronicles the brave battles of Kato and his comrades, as they very publicly seek to protect […]
by Nick Dawson on Jun 14, 2013The funny thing about film festivals is that there never seems to be enough time to talk about the films you’ve just seen. Distribution strategies, yes, industry gossip, most definitely, but the actual creative decisions and approaches involved in making the films themselves – barely! So the Grand Cinema’s mini-festival celebrating Filmmaker‘s 25 New Faces of Independent Film in Tacoma, WA, last month felt like a truly rare treat. Bringing together 14 of the actors and filmmakers or filmmaking teams on the list, including myself and Katherine Fairfax Wright, my directing partner on Call Me Kuchu, The Grand Cinema scheduled […]
by Malika Zouhali-Worrall on Sep 5, 2012The strength of the Human Rights Watch Film Festival is also its weakness. This year’s 23rd edition boasts 16 doc and fiction flicks from 12 countries – yet most fall firmly in the category of solid ITVS fare (in fact, only three are narrative features). Like with the agribusiness detailed in Micha X. Peled’s Bitter Seeds, about the epidemic of farmer suicides in India, variety is often an illusion – especially when U.S. or U.S. co-productions are in the majority. This is another way of saying that, yes, the chances of seeing a stinker at HRWFF are slim, but there’s […]
by Lauren Wissot on Jun 7, 2012