“I consider the industrious Robert Greene a friend, but that makes me no less cautious in deeming his new film Actress a big deal,” I wrote after seeing the film at True/False this year. The quick takeaway: This collaborative psychodrama follows and subjectively sculpts his friend/neighbor Brandy Burre’s attempt to simultaneously separate from her longtime boyfriend and return to the acting world she left for suburban motherhood. Sliding from seemingly straightforward self-presentation to ambiguously unfeigned snapshots of daily life, director and subject collude, not so much valorizing her attempts to jumpstart her career and finances (“I have to make a […]
by Vadim Rizov on Nov 6, 2014There are many reasons why people get into making movies, but the fetishizing of gadgets might be my least favorite. Cheaper, higher-end video cameras make “quality” more attainable, but no matter how many pixels there might be in a high-definition image, it can’t make a story clearer. Yet, independent filmmakers are often drawn to the newest, hottest equipment, as if the barrier to making a decent movie can be scaled by stacking the latest and fanciest gear and climbing over. I’ve made four nonfiction features and, like a digital video Luddite, I’ve shot all of them with my trusty Panasonic […]
by Robert Greene on Oct 20, 2014Big-time professional wrestling has long been a lucrative business, but for the men of Lincolnton, North Carolina’s Millenium Wrestling Federation, the social cohesion and outlet for their imagination the sport provides is their primary compensation. As chronicled in director Robert Greene’s fantastic new documentary Fake It So Real, wrestling has never seemed as intense and physically costly. Yet Greene is not interested in mining the sport for tales of snake-bitten men reaching for a glory that will never come; this isn’t a doc version of The Wrestler. Woebegone men are few and far between in this world, despite the fact […]
by Brandon Harris on Jan 11, 2012