Kenneth Lonergan
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“Things Happen that are Too Big for You…”: Writer/Director Kenneth Lonergan on the Director’s Cut of his Masterpiece, Margaret
Margaret may be one of the best movies you’ve never seen. It’s the second film from writer/director Kenneth Lonergan, whose first, You Can Count On Me, won the Grand Jury Prize at Sundance in 2000, and third, Manchester by the Sea garnered two Academy Awards for Lead Actor and Original Screenplay. But Margaret suffered a different journey, shooting in 2005 and being released much later in 2011 for a very limited run — and a cut 36 minutes shorter than the one Lonergan preferred. As part of its series, “The Way I See It: Directors’ Cuts,” the Quad in New […]
by Meredith Alloway on Jan 15, 2018 -
Recommended on a Friday: Manchester by the Sea, Uncle Howard, Off the Rails, Daughters of the Dust, J’Accuse, Pitch
Kenneth Lonergan’s masterful Manchester by the Sea is the high-profile opening of the week, and one strongly recommended by all of us at Filmmaker. The writer/director is our current print issue cover, with James Ponsoldt’s interview now online as well. In his intro, Ponsoldt wrote: Lonergan’s films all feature stand-out performances, and the constellation of actors in Manchester by the Sea — Kyle Chandler, Lucas Hedges, Michelle Williams, Gretchen Mol and Affleck — are beautifully cast. Their family could be your family. The Chandlers’ struggle to find a new normal in the wake of tragedy is surprisingly funny, human, messy […]
by Scott Macaulay on Nov 18, 2016 -
A Talk with Manchester by the Sea Editor Jennifer Lame
Jennifer Lame is the editor of Manchester by the Sea. She’s best known for having edited all of Noah Baumbach’s narrative films since Frances Ha and is currently in postproduction on his next film, Yeh Din Ka Kissa. At what point did you join the project? I had been following it for a while, since I am a big fan of Kenny’s work. Between my agent and others, I got sent two or three drafts of the script and read them all, but I couldn’t seem to get an interview, I think because they were looking for someone with a bit […]
by Vadim Rizov on Oct 20, 2016 -
High Tide: Kenneth Lonergan on Manchester by the Sea
“…If it is true to say that, in essence, the tragic hero is intent upon claiming his whole due as a personality, and if this struggle must be total and without reservation, then it automatically demonstrates the indestructible will of man to achieve his humanity.” — Arthur Miller, “Tragedy and the Common Man” (The New York Times, Feb. 27, 1949) How should we grieve? When faced with inconceivable loss, most of us become amateurs, fumbling in the hope of recovery. Grief tends more to ugliness than elegance, and it has a nasty habit of overstaying its welcome. For Lee Chandler, […]
by James Ponsoldt on Oct 20, 2016 -
Sundance Dispatch 2: Manchester by the Sea, Lo and Behold and All These Sleepless Nights
The hype machine has gone well into overdrive on Manchester by the Sea, to the point that many not here but monitoring Twitter are already properly irritable/skeptical. I’ll keep it brief: now past the tribulations of Margaret‘s legal travails, attenuated release and masterpiece status (it’s true!), Kenneth Lonergan has made a very, very strong film. Margaret spun out the complications of a moment’s carelessness and tragedy in multiple directions — legally, personally, professionally — from a single starting point. Manchester processes twin strands of tragedy, both immediate and long-term. Immediate: surly drunk Lee Chandler (Casey Affleck) is yanked out of his Boston handyman routine by his brother’s sudden […]
by Vadim Rizov on Jan 24, 2016 -
Margaret — A Hammer to Nail Review
(Without any fanfare, Margaret was released theatrically by Fox Searchlight on Friday, September 30, 2011. Visit the film’s official website to learn more.) Oh boy. Oh wow. If your idea of a rewarding time at the movies is a symphonic drama that aches with the blood, sweat and tears of real life while simultaneously upholding the finest traditions of opera, of theater, of poetry, of literature, look no further than Kenneth Lonergan’s Margaret. Much has been written about the unfortunate legal brouhaha surrounding the film’s post-production — it was shot in 2005 while here we are twiddling our thumbs in […]
by Michael Tully on Oct 13, 2011
