Kevin Lee (a longtime friend, full disclosure) has earned a heady reputation online and in academic circles for video essays like his much-circulated dossier on “The Spielberg Face” that rearrange film history’s visual building blocks and understood components. His latest film views the forthcoming Transformers: Age Of Extinction from every angle but head-on. The starting premise of this “premake” is a new phenomenon I hadn’t considered: if everyone has a smartphone, then a counter-promotional EPK can be easily assembled from the variety of surplus (ancillary?) documentation available online. With its wide spread of locales and very public filming, Transformers generated […]