Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie maestro Jason Blum. Since founding the company, Blum has produced dozens of films that have made varying degrees of impact on the zeitgeist: the found-footage scares of the Paranormal Activity films, the reinvented haunted house of the Insidious pictures, the social violence of The Purge series. And then, of course, there’s megahit Get Out, Jordan Peele’s ferociously intelligent satire on racism that, despite its share of lobotomies and knifings and violently applied white […]
by Scott Macaulay on Jan 25, 2017