Killers of the Flower Moon
-
“Scorsese is Always Open to the Energy of the Moment”: DP Rodrigo Prieto on Killers of the Flower Moon
Adapted from David Grann’s best-selling book, Martin Scorsese’s Killers of the Flower Moon is based on real-life crimes against the Osage Nation in 1920s Oklahoma. In the film, Scorsese continues his collaboration with several key artists: actors Robert De Niro and Leonardo DiCaprio, editor Thelma Schoonmaker and cinematographer Rodrigo Prieto, ASC, AMC. This also marks the final film for Scorsese and musician Robbie Robertson, who died this past August. Prieto worked with Scorsese on three previous films: The Wolf of Wall Street, The Irishman, and Silence. He built a career in his native Mexico, earning international acclaim with Alejandro González […]
by Daniel Eagan on Nov 8, 2023 -
“Literally Filmed Within Two Miles of My House”: Larry Fessenden on Blackout, Streaming and His Role in Killers of the Flower Moon
Reviewing a boxset of writer-director Larry Fessenden’s work in 2015 for Filmmaker, I began by noting that “Fessenden can frequently be found on the outskirts of the New York filmmaking community, using his production company Glass Eye Pix as an outlet of support for fellow filmmakers.” While my summation of the celebrated horror auteur’s altruism remains accurate (the company turns 40 in 2026), Fessenden’s own films have grown tougher to get off the ground. A new film by him is therefore a major event, albeit one that happens quietly. Having made its world premiere at the 27th Fantasia International Film […]
by Erik Luers on Oct 20, 2023 -
Watch: New Trailer for Martin Scorsese’s Killers of the Flower Moon
A brand new trailer arrives for Martin Scorsese’s Killers of the Flower Moon, which will hit theaters later this fall. Co-written by Scorsese and Eric Roth, the film is based on David Grann’s 2017 non-fiction book of the same name. Just shy of three and a half hours long, Scorsese’s latest stars Leonardo DiCaprio, Lily Gladstone, Robert De Niro, Jesse Plemons, John Lithgow, Brendan Fraser, Tantoo Cardinal, Cara Jade Myers, JaNae Collins and Jillian Dion. Along with the new trailer, we also receive an official synopsis for Killers: At the turn of the 20th century, oil brought a fortune to […]
by Filmmaker Staff on Jul 5, 2023 -
Cannes 2023: The Zone of Interest, Killers of the Flower Moon, May December
Jonathan Glazer’s The Zone of Interest, instantly hailed as a masterpiece upon the conclusion of its first screenings in Cannes last Friday, finds the British filmmaker once again engineering a vehicle with which to burrow beneath viewers’ skin. After opening his previous film, an adaptation of Michel Faber’s 2000 sci-fi novel Under the Skin, with an on-screen reminder of cinema’s intrinsic visuality—darkness, then pulsating orbs and, finally/explicitly, a dilating pupil—here Glazer turns to the aural. Another literary adaptation (this time of a work by Martin Amis, who died of oesophageal cancer the same day Glazer walked the red carpet), The […]
by Blake Williams on May 22, 2023 -
Trailer Watch: Martin Scorsese’s Killers of the Flower Moon
Martin Scorsese’s first film to world premiere at Cannes since After Hours in 1986, the trailer finally arrives for Killers of the Flower Moon shortly before it screens at the festival. Adapted from David Grann’s book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, the film’s script was co-penned by Scorsese and Eric Roth. The western boasts a 206-minute runtime and stars Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Scott Shepherd and John Lithgow. The plot revolves around a series of murders in 1920s Oklahoma of the oil-rich Osage Nation and the […]
by Filmmaker Staff on May 18, 2023 -
“I Was Born in Cinecittà”: Production Designer Dante Ferretti on Collaborating with Pasolini and Scorsese
Saturday, March 5th marks the centennial of Pier Paolo Pasolini’s birth, and numerous retrospectives are being held worldwide commemorating the late Italian filmmaker. Tragically murdered at the age of 53, weeks before his infamous Salò, or the 120 Days of Sodom, was set to premiere, Pasolini’s output continues to attract cinephile appreciation, political discourse, cultural reevaluation and a fair share of controversy. “His movies, influenced by his struggle to reconcile his concerns with Marx, Freud and Christ, often drew him into conflict with the Roman Catholic church and with secular authorities,” reflected The New York Times in 1990. Currently running […]
by Erik Luers on Mar 2, 2022
