“Talking about dreams is like talking about movies, since the cinema uses the language of dreams,” Federico Fellini once said. “Years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.” Cinema’s oneiric qualities have long been discussed by filmmakers and film theorists alike. Hollywood is even referred to as “the Dream Factory,” but that sobriquet refers as much to the industrial production and export model of the motion picture business as it does […]
by Scott Macaulay on Jan 21, 2015I only faintly recall writing my last entry for Filmmaker Magazine. I was huddled over at some bar at a busy airport, in between jobs and cities I’ve only seen through the windows of a hotel: a cinematographer’s life. I do remember the article was a bit cheeky — I was pretty elated with the success of It Felt Like Love — so I thought this time that to commemorate Kumiko, the Treasure Hunter I’d get down to brass tacks. Here are five things cinematographers don’t talk about. 1. When to Say No Possibly one of the hardest parts of […]
by Sean Porter on Jan 21, 2015Here’s the first trailer for the Zellner Brothers’ wonderfully idiosyncratic Kumiko, The Treasure Hunter. The one minute snippet goes a little out of its way to not reveal the narrative catalyst, conjuring a vague aura of suspense, though the film itself is far from your average adventure drama. Breaking your heart with a nearly silent performance, Rinko Kikuchi stars as the titular character who fleas her banal Tokyo confines in search of snowbound, stateside treasure. Amplify will release the film on March 13.
by Sarah Salovaara on Dec 19, 2014It’s rare that I can recommend nearly every program at a film festival, but that’s the case with this weekend’s Sundance Next Festival in Los Angeles. With events taking place tonight at the Hollywood Forever Cemetery and then this weekend at the theater at the Ace Hotel, the Next Festival is intimate, very cool and with a strong multidisciplinary bent. Alongside several artistic feature highlights from this year’s Sundance Film Festival are shorts, panels and bands, making each program something of an event. Check out the complete line-up at the festival’s site, and here are a few picks of mine: […]
by Scott Macaulay on Aug 7, 2014Warning! This piece contains major spoilers for David and Nathan Zellner’s wonderful new film, Kumiko, The Treasure Hunter. If you’ve yet to catch Kumiko (which premiered earlier this week at Sundance), read on at your own risk. Tuesday night at Sundance’s annual short filmmaking awards (held, as all great award ceremonies are, at a bowling alley), David and Nathan Zellner delivered something of an impromptu keynote about the many joys and headaches of independent filmmaking. The brothers, who have had nearly half a dozen films at the festival over the years – as well as three features – talked about […]
by Jane Schoenbrun on Jan 24, 2014David and Nathan Zellner are longtime stalwarts of the Sundance Film Festival, and the American microbudget film scene in general, carving out a niche for themselves over the last decade-plus as purveyors of a uniquely strange brand of Americana. Their feature work (including 2012’s haunting Kid-Thing) and their idiosyncratic and unforgettable shorts (Sasquatch Birth Journal 2, don’t worry, lives up to its title) have long found the Zellners fascinated with contemporary American folklore and fairy tales, and their newest film, Kumiko, The Treasure Hunter, is no exception. Based on the true story of a Japanese woman who traveled from Tokyo […]
by Jane Schoenbrun on Jan 20, 2014