Joel and Ethan Coen have been making films for over 30 years now and, since the mid-1990s, costume designer Mary Zophres has been a key part of creating their distinct aesthetic worlds. Working consistently with the fraternal directing team, Zophres has provided some iconic looks, among them the puffy jackets of Fargo (1996), The Dude’s sweater and bathrobe in The Big Lebowski (1997), and the prison garb of O Brother, Where Art Thou? (2000), to name just a few. The designer’s resume also includes the delightfully quirky and punkish costumes of Ghost World (2001), which have inspired countless young women, […]
by Abbey Bender on Jan 15, 2019Director Josef von Sternberg’s last film, Anatahan (1953), represents one of those rare cases where a director got to go out on the absolute perfect note: it sums up many of his philosophical and aesthetic preoccupations while also starkly departing from the kinds of lavish Hollywood productions that made him famous. Loosely based on a true story, it follows ten Japanese soldiers who are stranded on an island during World War II and remain there for years, reduced to their primal instincts by their surroundings as well as the lone woman they discover inhabiting the island. Von Sternberg shot the […]
by Jim Hemphill on Apr 21, 2017Early in La La Land, Emma Stone’s aspiring actress rises from a restaurant conversation about the unpleasantness of contemporary moviegoing and sprints to the Rialto Theatre to take in Rebel Without a Cause with Ryan Gosling’s intractably traditionalist jazz pianist. The burst of exuberance doesn’t last. The Rialto later closes down and as Gosling waxes poetic about jazz’s declining cultural relevance you begin to feel that for La La Land jazz is just a surrogate for the state of film itself. La La Land is an ode to the magic of movies – at a time when going to the movies has […]
by Matt Mulcahey on Jan 18, 2017