La Leyenda Negra
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“There Was So Much to Shoot in Such Little Time”: DP Matt Maio on La Leyenda Negra
In Compton, California, a teenage girl named Aleteia copes with being the new girl at school by immersing herself in underground activism. Aleteia grew up in the United States, but as an immigrant from El Salvador, she suddenly finds her protected status under attack. During this tumultuous time, Aleteia unexpectedly falls in favor with one of the most popular girls at school, Rosarito, and as their friendship blossoms, Aleteia finds it more important than ever to find a way to stay in her hometown. DP Matt Maio talks about the advantages of working with director Patricia Vidal Delgado and the […]
by Filmmaker Staff on Feb 3, 2020 -
“Getting Things Right Is Always an Exercise in Perseverance”: Editor Steven Moyer on La Leyenda Negra
Aleteia, a teenage girl from El Salvador who has spent most of her life in the U.S., finds herself as the new girl at a high school in Compton, California. Amid the awkward feelings of being an outsider, Aleteia finds solace in underground activism, where she feels valued and heard. But suddenly, her own protected status as an immigrant comes under attack, and she unexpectedly finds comfort in a budding friendship with Rosarito, one of the most popular girls at her school. Finally feeling a sense of belonging, Aleteia takes it on herself to figure out a way to stay […]
by Filmmaker Staff on Feb 3, 2020 -
“The Shrine Serves as a Powerful Locus of Non-Forgetting”: Patricia Vidal Delgado | La Leyenda Negra
Whether capturing or creating a world, the objects onscreen tell as much of a story as the people within it. Whether sourced or accidental, insert shot or background detail, what prop or piece of set decoration do you find particularly integral to your film? What story does it tell? In the living room of Aleteia’s house, the curtains are soft and their pattern has a very homey feeling. Yet the way the light goes through them creates an unsettling feeling. It mirrors Aleteia’s predicament as an immigrant—she’s home, yet she’s not allowed to call it home. We also wanted to […]
by Filmmaker Staff on Jan 27, 2020
