From Apocalypse Now Redux to The Cotton Club Encore, Francis Coppola has never been reticent about reworking past directorial efforts, so it was probably inevitable that he would get around to revisiting The Godfather Part III. Although by any normal standard Godfather III was a respectable success – conceptually bold, rich in visual and emotional textures and literary depth, and a financial hit with seven Oscar nominations – the fact that it wasn’t a flat-out masterpiece like its predecessors left the film with a lingering reputation as a disappointment, and Coppola was always unhappy with the manner in which it […]
by Jim Hemphill on Dec 4, 2020John Bailey was a graduate film student at USC studying film criticism when he discovered a passion for cinematography while working on a school production. His first feature-length credit was for a 1972 horror movie Premonition, and since then he has accumulated a long and impressive list of credits, including such classics as: Groundhog Day, The Accidental Tourist, Swimming to Cambodia, Silverado, The Big Chill, and American Gigolo. More recently, he’s worked on projects as diverse as Divine Secrets of the Ya-Ya Sisterhood, Must Love Dogs, The Producers, and Country Strong. I first heard John speak at an event organized […]
by Michael Murie on Feb 3, 2012JUDY GREER, DAVID DUCHOVNY AND WILLIE GARSON IN JAKE KASDAN’S THE TV SET. COURTESY THINKFILM. Writer-director Jake Kasdan comes from a filmmaking family: his father is Hollywood heavyweight Lawrence Kasdan, director of Body Heat (1981), The Big Chill (1983) and Grand Canyon (1991), and his younger brother Jonathan has just written and directed his first film, In the Land of Women. Jake’s own debut came in 1998, when he wrote and directed the quirky private detective movie Zero Effect, which he followed up in 2002 with Orange County. In between, Kasdan directed several episodes of two high-quality but short-lived Judd […]
by Nick Dawson on Apr 6, 2007