Musician Billie Holiday’s troubled life has been the inspiration for many films, including the biopic Lady Sings the Blues, starring Diana Ross. In The United States vs. Billie Holiday, director Lee Daniels takes a different tact, tying the singer’s troubles to a Federal vendetta against her song “Strange Fruit.” Anchored by Andra Day’s remarkable performance as Holiday, the movie offers a vivid account of Black culture from WWII to the singer’s death in 1959. Holiday’s brutal childhood, the pervasive discrimination she experienced, and a milieu that romanticized drugs all contributed to an addiction that landed her in prison. This is […]
by Daniel Eagan on Feb 26, 2021Precious and Lee Daniels’ The Butler director Lee Daniels spoke recently at the Savannah College of Art and Design, where he received an honorary degree. Towards the end of the clip, Daniels talks about his reasons for making the latter film, which he describes as a father-son love story, and what his own teenaged son thought of it.
by Scott Macaulay on Nov 23, 2013When it comes to the hubbub, headlines, and advertising that predated the release of Lee Daniels’ The Butler, it’s best that you forget what you’ve heard, barring whatever thoughtful reviews or interviews you’ve come across. A decades-spanning epic primed and packaged for awards buzz, the film has been sold as a rather generic historical saga — the kind of “important” Oscar bait whose trailer comes with the requisite sweeping score. In short, the movie, a Weinstein Company release, has been Weinstein-ized to a fault. There’s even the title debate that put producer Harvey Weinstein at the forefront, and saw him […]
by R. Kurt Osenlund on Aug 16, 2013While other A-List actresses have chased the kind of star vehicles that kill on opening weekend, Nicole Kidman has been quietly becoming Hollywood’s most unlikely rebel—a statuesque leading lady with a snowballing penchant for bold auteur partnerships. It’s hard to pinpoint when, exactly, the gal from Days of Thunder began her metamorphosis into the daring muse currently drawing viewers to The Paperboy (above), but many would likely cite Gus Van Sant’s To Die For as the pivotal work in Kidman’s filmography. The sheer unlikeability of the delusional, cradle-robbing viper Suzanne Stone screams of Tinseltown-bombshell repellant, but Kidman executed the role […]
by R. Kurt Osenlund on Oct 15, 2012“In Production” is a regular column which focuses on notable independent films that are currently shooting. Shooting from mid-July in Eastern Indiana, Scalene director Zack Parker’s Proxy is a suspense thriller about Esther (Alexia Rasmussen), a pregnant woman who joins a support group after being attacked one night and strikes up a dysfunctional relationship with a fellow victim (Alexa Havins). Parker’s last feature Scalene, which is set for release on Blu-ray, DVD and VOD on July 31st, received glowing reviews for its clever use of the fractured narrative – potentially one of the most over-used cinematic devices of the past three decades. Parker has […]
by Byron Camacho on Jul 30, 2012It was a big night for Lee Daniels’ Precious at the 2010 Spirit Awards. The film picked up awards for Best First Screenplay (Geoffrey Fletcher), Supporting Actress (Mo’Nique), Actress (Gabourey Sidibe), Director (Lee Daniels) and Picture. The only other film to win more than one award was Crazy Heart, which picked up Best First Screenplay and Actor (Jeff Bridges). Hosted by Eddie Izzard and presented by Film Independent, the awards were the first Spirits held in downtown L.A. on a Friday night rather than Saturday afternoon at the Santa Monica beach. The Spirits’ gently irreverent tone remained the same — […]
by Scott Macaulay on Mar 6, 2010Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Precious director Lee Daniels for our Fall 2009 issue. Precious is nominated for Best Picture, Best Director (Daniels), Best Actress (Gabourey Sidibe), Best Adapted Screenplay (Geoffrey Fletcher) and Best Editing (Joe Klotz). It’s November 2007 and manager-turned-producer-turned director Lee Daniels is shooting a film in New York City for the first time. Having already been shut down by the NYPD for going over his permit time in Harlem, […]
by Jason Guerrasio on Mar 4, 2010On March 20 & 21, IFP, with The Writer’s Guild of America, East, will present its annual Script to Screen Conference in New York City. This year’s conference opens with The Daily Show’s Steve Bodow and closes with Catherine Hardwicke (Thirteen, Twilight) and Brian Koppelman (Rounders, Ocean’s Thirteen). Other guests include Peter Hedges (About a Boy), Debra Granik (2010 Sundance Grand Jury Prize winner Winter’s Bone) Sophie Barthes (Cold Souls), Ry Russo-Young (You Wont Miss Me) and recent Filmmaker “25 New Face” Lena Dunham (Delusional Downtown Divas) to name a few. The guests will discuss new challenges and opportunities taking […]
by Filmmaker Staff on Mar 3, 2010In this excerpt of our interview with Lee Daniels on his award-winning film Precious, which will be in the upcoming Fall issue, Jason Guerrasio talks to the director-producer about his connection with the book the film is based on, molding first-time actor Gabby Sadibe into Precious and his conflicts with the crew while making the film. Precious screens at the Toronto International Film Festival this evening and will be in theaters in November. Filmmaker: Did reading Push bring back any memories of what you went through growing up in Philly? Lee Daniels: I had not experienced the things that Precious […]
by Jason Guerrasio on Sep 13, 2009