A storytelling pandemic. By Lance Weiler.
[PREMIERE SCREENING: Monday, Jan. 24, 12:00 pm — Temple Theatre] As a first-time filmmaker, being accepted into the U.S. Documentary Competition at Sundance was obviously the biggest surprise. But what was also a huge surprise was going back to read the outline that I wrote in the summer of 2008 when Hot Coffee was just a dream. After finishing the film in the summer of 2010, I reread my original outline and to my great surprise realized that the final version of the film was almost exactly what I had laid out in the outline, despite having not gone back […]
by Filmmaker Staff on Jan 24, 2011Gregory Bayne shoots Jens Pulver. Photo courtesy Alex Couey. A short collection of observations from my year of DIY. My name is Gregory Bayne, and in 2010 I stumbled into a full time “DIY” film career without a back up, without a net, and without, in many respects, a clue. And, though over the course of 2010 I ran two successful crowd-funding campaigns (http://bit.ly/drivenks, http://bit.ly/poiks), made a fully fan-funded documentary feature (that people really seem to love), and released, with my collaborator, a narrative feature…I made less than enough money to scrape by, and currently find myself about to start […]
by Gregorybayne on Jan 3, 2011Filmmaker Justin Eugene Evans forwarded me news that an extension of Section 181, the film production tax break, was included in the bill signed by President Obama today. Here, reprinted with permission, is an email containing the news. Dear Film Professionals – Section 181 has finally been renewed! The new Tax Bill was signed into law by President Obama earlier today. The tax law includes Section 744, which includes language that replaces IRC Section 181’s expiration date of December 31, 2009 with December 31, 2011. Here is what this means: 1.) Any money spent on qualifying domestic film production* in […]
by Scott Macaulay on Dec 17, 2010Mark Litwak has great excerpt from his book Risky Business on his Entertainment Law Newsletter today dealing with default by distributors. He begins: Many years ago I represented a filmmaker who entered into an agreement with a small home-video distributor. The company had a decent reputation, and since there were no other offers for this $80,000 movie, a deal was struck. The filmmaker was promised a $40,000 advance for U.S. home video rights. The advance was payable in four installments over the course of a year. After the second installment was received, the distributor was acquired. The new owners stopped […]
by Scott Macaulay on Jul 7, 2010The following letter, drafted from materials provided by Donaldson and Callif, is an update on an amicus brief filed in support of filmmaker Joe Berlinger. If you’re not familiar with the situation regarding his film Crude and Chevron, please read the below and then this editorial by Robert Redford detailing the importance of this case. On June 23, 2010, the IFP joined thirteen other organizations and nine individuals in signing an amicus brief in support of filmmaker Joe Berlinger, who was ordered to turn over 600 hours of outtakes from his documentary Crude to petrochemical company Chevron Corporation. Chevron, threatened […]
by Scott Macaulay on Jul 6, 2010