Life Itself
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“The Film Gives Viewers Plenty to be Angry About”: Steve James on Abacus: Small Enough to Jail
Steve James’ documentary, Abacus: Small Enough to Jail, is at once a heartfelt portrait of a close-knit family facing overwhelming adversity and an infuriating indictment of our U.S. justice system gone seriously awry. The film follows the Chinese immigrant Sung family, founding owners and operators of the Abacus Federal Savings Bank down in NYC’s Chinatown, who in the wake of the 2008 financial crisis found themselves locked in a half-decade battle with spotlight-loving Manhattan DA Cyrus Vance, Jr. Though the bank had one of the lowest default rates in the country (with only nine out of 3,000 loans defaulting!), the […]
by Lauren Wissot on May 15, 2017 -
The 2014 Oscars Documentary Feature Shortlist is Announced
The Oscars have released their shortlist of the 15 documentary features eligible for the Academy Award that have advanced to the next stage of consideration; the final five will be announced along with all other nominations on January 15. The titles and directors below, with links to our previous coverage as applicable: Art and Craft (Sam Cullman, Jennifer Grausman, Mark Becker) — click here to read a guest post from the directors about completing their film’s score. The Case Against 8 (Benjamin Cotner, Ryan White) — click here to read the directors’ pre-Sundance statement about their film. Citizen Koch (Carl […]
by Vadim Rizov on Dec 2, 2014 -
2014 Cinema Eye Honors Nominees Announced
The nominees have been announced for the eighth annual Cinema Eye Honors (of which Filmmaker is an industry sponsor), which recognize outstanding achievements in documentary filmmaking. A quick breakdown: CITIZENFOUR (the cover story subject of our latest issue) leads the pack with six nominations, closely followed by Life Itself and 20,000 Days on Earth with five apiece. Below, find the bulk of the nominations. For more information, visit the Cinema Eye Honors website, which also contains more trivia and facts about the nominees in each category. The Cinema Eye Honors winners will be announced on Wednesday, January 7 at New York’s Museum of the Moving Image. […]
by Filmmaker Staff on Nov 12, 2014 -
Charting the Course: Data Visualization in Documentary Film
“Every single pixel should testify directly to content.” So says Edward Tufte, a professor emeritus at Yale and pioneer in the field of data visualization. And if this emphasis on clarity and, essentially, story is true in the world of static infographics, it’s exponentially so when content comes at 24 frames per second. In the short PBS film The Art of Data Visualization, Tufte reaches far back in time, before the mundane pie charts and bar graphs that school children are taught to decipher, finding the beginnings of data visualization in stone-age cartography and the rise of science during the […]
by Randy Astle on Oct 20, 2014 -
At the Death House Door: Steve James on the Roger Ebert Doc, Life Itself
Two heavyweights of Chicago film culture, director Steve James and the iconic late film critic Roger Ebert were fond of each other from afar for years. It wasn’t until James was charged with making a cinematic document of Ebert’s final months and his life and achievements that the two grew close. The filmmaker behind the masterful Chicagoland documentaries Hoop Dreams and The Interrupters gives us an up close and personal look at the final months of Ebert’s life, crafting both a tough-minded look at his physical decline and a warm-hearted celebration of a singular cultural figure’s life and work. James, […]
by Brandon Harris on Jul 1, 2014 -
“This Is The Guy”: Steve James, Roger Ebert and Life Itself
“Who the fuck are you?” Fueled on booze, Flamo was raging. Someone had told the cops he had stashed guns in his house, and so his mum and brother were handcuffed and led away. Craving revenge but thinking better, Flamo phoned Cobe (pronounced KOH-bay), someone he met years earlier in the county jail who was now a violence interruptor, counseling young gangbangers like Flamo to chill out and stop drawing blood in Chicago’s crime-ravaged South Side. When Cobe arrived, Flamo was stunned to find some white man filming him. Luckily, Cobe knew how to vouch for the white man to the youth he […]
by Allan Tong on Mar 26, 2014
