Like Crazy
-
Upstate Blues: Drake Doremus on Breathe In
Drake Doremus’ Like Crazy – a gauzily photographed love triangle drama that won Sundance – didn’t burn up the box office, but it opened up a number of doors for the third-time director and his atmospheric followup. By turns strident and sentimental, Breathe In feels like a step forward on a number of fronts. As the 30-year-old director told Filmmaker recently, the film was more or less not scripted, but it has the tension of a tightly wound product of a veteran screenwriter. Guy Pearce is Keith, a married music teacher full of longing for his zesty younger days who risks […]
by Brandon Harris on Mar 27, 2014 -
OPENING NIGHT FILM & PANELISTS CHOSEN FOR FILM INDEPENDENT FORUM
Drake Doremus‘ Sundance Grand Prize winner Like Crazy will be the opening night film for the 7th annual Film Independent Forum, according to the non-profit. Taking place Oct. 21-23 at the Director Guild of America in L.A., Like Crazy (which Paramount Vantage opens on Oct. 28) will kick off the the three-day forum for emerging and established independent filmmakers that covers production, distribution, documentary and new media. Speakers for the 2011 Film Independent Forum include: Sara Bernstein, HBO Documentary Films Laura Bickford, producer, Duplicity, Che Josh Braun, Submarine Lisa Callif, Donaldson & Callif, LLP Juan Devis, KCET Public Media Arthur […]
by Jason Guerrasio on Sep 14, 2011 -
When Is It Okay To Walk Out Of A Movie ?
Sundance is over. Ditto, Rotterdam. With Berlin right around the corner, it seems a good time to ask the question: When is it okay to walk out of a movie? I saw over 25 features at Sundance this year. Many of those films will receive serious releases in 2011 and wind up on “Best of” lists at the year’s end. Some of my favorites are still seeking distribution. I interviewed directors of a number of films. Of the features I haven’t already written about, personal favorites include Pariah, Terri, Catechism Cataclysm, The Mill and the Cross, Hell and Back Again, […]
by James Ponsoldt on Feb 9, 2011 -
DSLR-Shot Films Win Prizes At Sundance
With a hat tip to Photo Cine News, here are clips from two Sundance 2011 prizewinners shot on DSLR cameras. The first, the Grand Jury Prize-winning Like Crazy, was shot on the Canon 7D. (Felicity Jones, featured in this clip, also won a Special Jury Prize for her acting.) The second, Hell and Back Again, won the World Cinema Grand Jury Prize as well as the World Cinema Cinematography Award. It was shot on the Canon 5D with custom-built rigs. Hell and Back Again clip from Danfung Dennis on Vimeo.
by Scott Macaulay on Feb 1, 2011 -
SUNDANCE ’11 WINNERS ANNOUNCED: “LIKE CRAZY” & “HOW TO DIE IN OREGON” TOP LIST
The Sundance Film Festival announced its jury prize winners this evening with Drake Doremus‘ examination of a long-distance relationship, Like Crazy, taking home the Grand Jury Prize. The film’s lead actress, Felicity Jones, also won a Special Jury acting prize. Other top winners include Peter D. Richardson‘s documentary, How to Die in Oregon for Grand Jury doc prize; Circumstance won the dramatic Audience Award while Buck won the audience award for documentary. Sean Durkin won the narrative best directing prize for Martha Marcy May Marlene and best doc directing went to Jon Foy for Resurrect Dead: The Mystery of the […]
by Jason Guerrasio on Jan 29, 2011 -
PARK CITY CRITIC’S NOTEBOOK #2: BEATS, RHYMES, ODDBALLS
After its first weekend has drawn to a close, the 2011 Sundance Film Festival has seen a flurry of buying activity from movies both expected to sell for significant amounts (Jesse Peretz’s My Idiot Brother, which went to the Weinstein Company for $7 million) and movies no one expected to go for as much as they did (Drake Doremus‘ Like Crazy, which without a significant movie star in it went for $4 million to Paramount). While I haven’t seen either film, they both seem to have both their admirers and detractors. In a U.S. Dramatic Competition heavy on formally ambitious […]
by Brandon Harris on Jan 25, 2011
