Liv Ullmann
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“Is There an Orchestra Playing in the Depths of the Glacier?”: Margreth Olin on Her TIFF-Debuting Documentary, Songs of Earth
My DOX:AWARD top pick for the Ekko jury grid I participated in at this year’s CPH:DOX, Margreth Olin’s Songs of Earth, was also number one in my critic’s notebook for the doc most needing to be experienced on the big screen. In this palpably loving portrait of the veteran filmmaker’s elderly parents and the country that shaped them (and her), “Olin juxtaposes jaw-dropping, drone-captured images of the awe-inspiring Norwegian landscape with closeups of her dad’s bald pate, his tender hand on her mother’s back, as the environment and humankind become one” (per that notebook, and my coverage). Thus, it comes as little surprise […]
by Lauren Wissot on Sep 13, 2023 -
Watch: Olivier Assayas Discusses Ingmar Bergman’s ‘Absurdly Important’ Persona
Olivier Assayas speaks eloquently about his own work, able to talk about them both abstractly and practically. No surprise, then, that he’s as sharp when talking about other filmmakers’ films. A new video from TIFF finds the acclaimed French filmmaker — most recently of Non Fiction, Personal Shopper and Clouds of Sils Maria, and whose 1994 classic Cold Water was reissued earlier this year — talking Ingmar Bergman. Specifically he discusses Persona, the Swedish legend’s game-changing 1966 whatzit, about a caretaker (Bibi Andersson) tending to a damaged actress (Liv Ullmann). Bergman, according to Assayas, showed “that you could be both […]
by Matt Prigge on Nov 16, 2018 -
Scenes from a Marriage, Gloria and Rapid Fire: Weekend Blu-ray Viewing from Jim Hemphill
When Ingmar Bergman wrote the script for his six-part, five-hour miniseries Scenes From a Marriage in 1973, his wife told him that it was far too personal to connect with a wide audience. She was right about its specificity, but wrong about its appeal — when the show premiered on Scandinavian television it was a smash hit, leaving the streets deserted every night that it was on. Bergman re-edited the material into a feature film of around half the length for theatrical distribution in the United States, where it became a hit on the art house circuit on the heels […]
by Jim Hemphill on Sep 14, 2018
