location scouting
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Fetch the Bolt Cutters: Location Scout Aean McMullin on TV Production, Shooting Lucifer During COVID and LA Permitting
Aean McMullin [pronounced Ay-In] spends his time traveling from helicopter pads in the heart of downtown Los Angeles, working with gang members in Compton and sitting in the cacophony of LA traffic (even during the pandemic) all the way from his one-bedroom apartment in Glendale to the seaside city of Long Beach—a whopping 30 + miles. A key location assistant manager from the small town of Godfrey, Illinois, McMullin received quite the culture shock upon his arrival five years ago to the city of Angels. “[My] impetus to get out of Godfrey was because there was nothing to do,” McMullin […]
by Destiny Jackson on Jan 27, 2021 -
Judy Becker’s Instagram: A Production Designer Catalogs Her Visual Inspirations
For Filmmaker‘s 25th Anniversary issue, we took note of production designer Judy Becker’s lovely Instagram, where she posts location scout photos and other inspirations that inevitably find their way into her design work. We asked her to write more about this convergence with social media and production design practice, and here’s what she wrote back. To: Filmmaker Magazine From: Judy Becker Subject: My Instagram Today at 11:34am I’m happy you guys liked my Instagram. I’ve taken photographs pretty much my whole life. I got my first camera when I was about seven, when my family spent the summer in Rotterdam, […]
by Judy Becker on Sep 14, 2017 -
40 Locations in 18 Shooting Days: Lessons Learned While Making Doomsdays
Nobody ever comes out of a movie and says “great locations!” Unless the film is set someplace unusual like the Amazon or the UN or on an elaborately constructed set that makes locations a talking point, they’re largely taken for granted. But locations are nevertheless deeply felt by audiences whether they announce themselves or not, informing mood, camerawork, production design and performance. They’re also a cheap way to make an inexpensive film stand out, or at the very least make it look more expensive than it is. Among the oft-repeated cardinal rules of low-/no-budge filmmaking, there are two that apply […]
by Eddie Mullins on Jun 1, 2015
