Louis Malle
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Talk, Write, Kill
Best Seller An old-school scribe who never met a genre he couldn’t work in, Larry Cohen honed his craft as a writer on ’50s and ’60s television before graduating to features via assignments like Return of the Seven and a series of unproduced treatments for Alfred Hitchcock (one of which would resurface decades later as the Colin Farrell vehicle Phone Booth). Cohen promoted himself to director in 1972 with Bone, a wickedly funny class satire in which a white couple’s repressed tensions are brought to the surface by an encounter with a black man who wanders onto their property. Shot, […]
by Filmmaker Staff on Apr 28, 2015 -
“I Am the Master of My Destiny”: Jeremy Irons Talks at TIFF’s Bell Lightbox
In 1979, Jeremy Irons was in the middle of shooting the British TV drama, Brideshead Revisited when the show’s technicians went on strike. No one knew if or when the show would continue, so Irons talked to director Karol Reisz about filming The French Lieutenant’s Woman the following March. “[Reisz] was going out on a big limb to allow the studio to use me,” Irons recalls, “because I was a nobody.” Irons would become a household name for playing a stiff upper lipped Englishman because of Brideshead , but this past weekend in Toronto he showed a funny, candid and insightful side […]
by Allan Tong on Nov 5, 2013 -
Oslo, August 31st — A Hammer to Nail Review
(Oslo, August 31st is being distributed by Strand Releasing. It opens Friday in NYC at the IFC Center.) Joachim Trier’s follow-up to his much-loved 2006 debut, Reprise, begins with an audio montage of voices sharing their memories of the titular city: “I remember taking the first dip in the Oslo fjord on the first of May.” “I don’t remember Oslo as such, its people I remember.” “We moved to the city. We felt extremely mature.’” On the screen, stationary shots of empty city streets are followed by home movies—children at play, friends enjoying each other’s company—then back to the streets […]
by Nelson Kim on May 24, 2012
