I’m a fan of Jason Kohl’s SXSW-premiering short film, The Slaughter, which he wrote about here for Filmmaker. And I also took note of his thoughtful filmmaking how-to, Film School: A Practical Guide to an Impractical Decision. Today, Kohl’s debut feature, New Money, is having its world premiere at the Tallinn Black Nights Film Festival. Starring the great Louisa Krause (King Kelly, The Girlfriend Experience, The Flick), it’s described as a “sharp-witted true crime drama” inspired by a story Kohl heard about two stepchildren, worried about their inheritance, who kidnapped their stepdad to insure that they’d get their cut of […]
by Scott Macaulay on Nov 27, 2017A frosty night alone inside an unheated school bus puts a hypothermic gradeschooler at death’s door. The multiple protagonists in model ensemble Bluebird milk the mishap, each in their own way. In an oddly similar fashion, director Lance Edmands works — let’s say plays — his audience. He short-circuits a chilling overview of the mishap’s immediate impact in favor of charging a profound visual essay on the power of love — ongoing, terminated, or altogether lacking. The titles of the two mournful vintage pop songs most prominent on the soundtrack evoke cataclysms, in theory echoing the emotional toll on those […]
by Howard Feinstein on Feb 27, 2015While there have been many films riffing on reality tropes in the last several years, few have been as cleverly conceived and entertainingly executed as Andrew Neel’s debut fiction film, King Kelly. Set in the world of amateur webcam porn, the film depicts a monstrously fascinating Tracy Flick for our oversexualized social media age. Played ferociously by Louisa Krause, Kelly is a high-school student who runs a profitable one-woman porn empire from her suburban bedroom, with her parents none the wiser. Stripping on cam, uploading details of her everyday life and ruling over her chat room with a gonzo glee, […]
by Scott Macaulay on Jun 20, 2012