The response to a student’s query about any deeper meaning behind a simple cigar — for which his professor had a signature fondness — was Freud’s possibly apocryphal, and definitely overly quoted, “Sometimes a cigar is just a cigar.” Right. At times, however, it isn’t. Anything can be either real or imaginary, or perhaps occupy a middle ground. That which lies in the in-between is often the most intriguing, revealing and nuanced of all. Working from a script by Chris Rossi that she significantly revised, Meadowland’s first-time director and very experienced cinematographer Reed Morano transports us and her female protagonist, […]
by Howard Feinstein on Oct 16, 2015BEN KINGSLEY AND TÉA LEONI IN JOHN DAHL’S YOU KILL ME. COURTESY IFC FILMS. John Dahl has unquestionable cinematic flair and a genuine talent for telling unconventional stories, yet he never set out to be a film director. Growing up in Montana in the 60s and 70s, his great passions were art and music: he studied fine art in college, then dropped out to become a commercial artist and play in rock ‘n’ roll bands. Still uncertain of his place in the world, he ended up at film school where he focused on directing. After graduation, he worked as an […]
by Nick Dawson on Jun 22, 2007