Cinephiles looking to cook up a zesty decade recap of the best in American indie film could have taken a Polish holiday this fall and landed in the eastern European cultural capital of Wroclaw for the 10th annual American Film Festival. The intensive marathon nods to red-white-and-blue archetypes in branding, which makes festival avatars of such staples of American mythology as motorcycle cops, 18-wheelers, Afro-sporting disco queens, football running backs, astronauts and desperadoes. Its mission, however, is at once more incisive and expansive than all that apple-pie iconography, distilling highlights and discoveries from the year’s major U.S. film gatherings, sprinkled […]
by Steve Dollar on Dec 30, 2019For almost two decades I’ve been traveling to the International Film Festival Rotterdam immediately following Sundance, struggling to keep my jet lag at bay while I attend a few Cinemart meetings, hit the informal but productive Cinemart cocktail hours, and delve into the fest’s always excellent and eclectic program. This year several fellower Sundancers made the trip as well, including sales agent Ryan Kampe, producer Adele Romanski, the IFP’s Amy Dotson, the Sundance Institute’s Anne Lai, and director Terrence Nance, whose An Oversimplification of Her Beauty was programmed here and was one of the Park City’s true discoveries. Above is […]
by Scott Macaulay on Feb 3, 2012