In my print issue article (now online) on two ultra-low-budget filmmakers, I described Tzvi Friedman’s Man as an “an eerily austere New York-set serial killer drama with a (possible) science-fiction twist and impressive formal control.” As the film finishes post-production and begins submitting to festivals, Friedman, who is making his feature debut with Man, has sent Filmmaker an early teaser from the film that aptly showcases its depiction of dread-filled urban anomie and assured tone. As I write in my piece, “The film was inspired when Friedman was locked out of a Brooklyn apartment where he was sleeping and wound […]
by Scott Macaulay on May 13, 2022While most producers these days are worried about the latest CPI number—that’s the Cinematic Price Index—one group of filmmakers is, somewhat paradoxically, not: those working on the lower end of the microbudget, or “no-budget,” continuum, producing finished features for the very low five figures. For them, production is retrofitted from whatever money can be raised, and if the price of gas goes up, well, the shoot just has to make do with less in another area. Among such filmmakers, there’s perhaps no one whose model is as stripped-down as Pete Ohs, who recently premiered his latest work, the well-received Jethica, […]
by Scott Macaulay on Apr 14, 2022