Margaret may be one of the best movies you’ve never seen. It’s the second film from writer/director Kenneth Lonergan, whose first, You Can Count On Me, won the Grand Jury Prize at Sundance in 2000, and third, Manchester by the Sea garnered two Academy Awards for Lead Actor and Original Screenplay. But Margaret suffered a different journey, shooting in 2005 and being released much later in 2011 for a very limited run — and a cut 36 minutes shorter than the one Lonergan preferred. As part of its series, “The Way I See It: Directors’ Cuts,” the Quad in New […]
by Meredith Alloway on Jan 15, 2018Kicking off with a dose of Skrillex and Spring Breakers, Kevin B. Lee’s latest supercut rounds up the best films of the decade thus far. The ranking was determined on the fairly informal basis of an all-are-welcome Twitter solicitation. I voted and am bitterly disappointed, though I guess not all that surprised, to see Computer Chess didn’t make it into the top 25. The most pleasantly unexpected inclusion is Kenneth Lonergan’s much-postponed, completely wonderful and nearly buried Margaret at #5. The Tree of Life — the closest thing we have this half-complete decade to a consensus milestone in film history — tops the list. For the full of list […]
by Vadim Rizov on Jan 9, 2015Ganja & Hess: The Complete Edition Kino International – available now A bona fide cult film, the anti-Blacula, defiantly difficult and parochial, a vampire film in which the word itself is never used and its tropes mostly discarded, Bill Gunn’s miraculous Ganja & Hess is jolting and jagged, lyrical and mythic, as utterly unclassifiable today as it was at the time of its initial unveiling. Long lost following the rapturous reception at Critic’s Week at Cannes in 1973, where it received a seven-minute standing ovation before being butchered by its distributor into a sexploitation film and boxed up under six […]
by Filmmaker Staff on Jul 19, 2012(Without any fanfare, Margaret was released theatrically by Fox Searchlight on Friday, September 30, 2011. Visit the film’s official website to learn more.) Oh boy. Oh wow. If your idea of a rewarding time at the movies is a symphonic drama that aches with the blood, sweat and tears of real life while simultaneously upholding the finest traditions of opera, of theater, of poetry, of literature, look no further than Kenneth Lonergan’s Margaret. Much has been written about the unfortunate legal brouhaha surrounding the film’s post-production — it was shot in 2005 while here we are twiddling our thumbs in […]
by Michael Tully on Oct 13, 2011