To revisit Martin Bell‘s landmark documentary Streetwise 32 years after its initial release is an experience that would at times seem to beggar an audience’s capacity for prejudice. Never was a community so commonly perceived as forlorn and despondent as Seattle’s homeless youth population ever depicted in such a sharp contrast to common notions of indigence. To endure the film alongside Bell’s feature-length update, TINY: The Life of Erin Blackwell — made possible as part of BAMCinemaFest’s NY Premiere Double-Feature this Saturday — is to stand the test of self-questioning that belies any deeper look into the reality of poverty and its lifelong repercussions. TINY, […]
by Evan Louison on Jun 23, 2016Top L to R: Lauren Wissot, Michael Tully, Laura Blum; Bottom L to R: Mark Bell, Dusty Wright Part I. Five Film Reviewers on Screening Films Part II. Five Film Reviewers Advise Filmmakers In Baal – the BBC’s 1982 cinematic adaptation of Bertolt Brecht’s 1918/1923 dramatic play – Ekart is broke and unable to pay his bar bill. In a grimy tavern, he explains: “If I had money to pay, it would undermine my sense of self.” Paying a bar bill can be a bitch, but living as a drunken-pauper doesn’t sound better. Unlike Ekart in Baal*, I doubt today’s bohemians would be […]
by Stewart Nusbaumer on Jul 30, 2013Top L to R: Michael Tully, Marshall Fine, Lauren Wissot; Bottom L to R: Mark Bell, Dusty Wright With prices dropping and technology increasing and audiences expanding, the indie community is whacking out films at a hectic pace — but it’s even more prolific at whacking out words on films. Websites and magazines broadcast a stream of articles on the work of emerging filmmakers. For years, info-packed pieces on distribution and funding have been ubiquitous. Tacky scribblers suck up to celebrities, arty ones profile auteurs, bloggers are all over the turf — latest craze, lists of the best and the worst […]
by Stewart Nusbaumer on Jul 19, 2013