The following interview appeared originally in Filmmaker‘s Fall, 2007 print edition. We don’t cover enough screenwriters in Filmmaker, but that’s not entirely our fault. This magazine is devoted to independent film, and for many, the director is also the writer. Or the script has emerged from improvisation or some other nontraditional means. And while there is a new breed of independent-minded screenwriters today — Charlie Kaufman, Capote’s Dan Futterman and Juno’s Diablo Cody come immediately to mind — many of the “marquee screenwriters” still work almost exclusively in the studio world. By virtue of the unique niche that screenwriter Oren […]